<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-20991400</id><updated>2011-08-16T09:42:33.235-07:00</updated><title type='text'>THE CHATELAINE'S E-DANCE (because Moi local is global)</title><subtitle type='html'>This blog will post links to the Chatelaine's presence in the internet -- poems, fictions, essays, criticisms, performances, reviews, etc. This is an incomplete List and is being continuously updated. Eileen Tabios' "Chatty Dance" is also available on blogs, all of which can be accessed through her primary blog, "The Chatelaine's Poetics."</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://chattydance.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>10</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-20991400.post-113744985580224084</id><published>2011-05-06T06:59:00.000-07:00</published><updated>2011-05-06T08:53:33.397-07:00</updated><title type='text'>E-BOOKS / COLLECTIONS</title><content type='html'>&lt;em&gt;(Listed per titles' alphabetical order) &lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Crucial Bliss Epilogues &lt;/em&gt;&lt;/strong&gt;(Tamafyhr Mountain Poetry) at &lt;a href="http://origamicondom.org/TMP.html"&gt;origamicondom.org [TMP Archives]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Enheduanna in the 21st Century &lt;/em&gt;&lt;/strong&gt;(xPressed, 2002) at &lt;a href="http://www.xpressed.org/"&gt;http://www.xpressed.org/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;POST BLING BLING &lt;/em&gt;&lt;/strong&gt;(Moria Books, 2005): Free .pdf file at &lt;a href="http://www.moriapoetry.com/ebooks.html"&gt;http://www.moriapoetry.com/ebooks.html &lt;/a&gt;and hard copy version at &lt;a href="http://www.lulu.com/content/160199"&gt;http://www.lulu.com/content/160199&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Songs of the Colon &lt;/em&gt;&lt;/strong&gt;(Ahadada Books, 2005) at &lt;a href="http://www.ahadadabooks.com/index.php?option=com_content&amp;task=view&amp;id=34&amp;Itemid=41"&gt;http://www.ahadadabooks.com/index.php?option&lt;br /&gt;=com_content&amp;task=view&amp;id=34&amp;Itemid=41&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Corporate Cat &lt;/em&gt;&lt;/strong&gt; (Visual Poetry folio) at &lt;a href="http://the-otolith.blogspot.com/2006/06/eileen-tabios-corporate-cat-1-process.html"&gt;&lt;em&gt;Otoliths &lt;/em&gt;#2, 2006&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;There, Where the Pages Would End&lt;/em&gt;&lt;/strong&gt;(xPressed, 2004) at &lt;a href="http://www.xpressed.org/"&gt;http://www.xpressed.org/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;THE SINGER AND OTHERS: FLAMENCO HAY(NAKU &lt;/strong&gt;&lt;/em&gt;(Dusie, Switzerland, 2007-8) at &lt;a href="http://www.dusie.org/thesingerandothers.pdf"&gt;http://www.dusie.org/thesingerandothers.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;*****&lt;br /&gt;&lt;br /&gt;Information on the Chatelaine's hard-copy books at &lt;a href="http://angelicpoker.blogspot.com"&gt;The Blind Chatelaine's Keys&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;*****&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Special Themed Issue on Poet-Editors &lt;/em&gt;Curated by Eileen Tabios at &lt;a href="http://the-otolith.blogspot.com/2010/04/poet-editors-front-page.html"&gt;&lt;strong&gt;&lt;em&gt;Otoliths&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;, featuring 43 contemporary poet-editors!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113744985580224084?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113744985580224084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113744985580224084'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/08/e-books-collections.html' title='E-BOOKS / COLLECTIONS'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728470693749540</id><published>2011-05-04T17:58:00.000-07:00</published><updated>2011-08-15T22:37:53.423-07:00</updated><title type='text'>POEMS</title><content type='html'>&lt;em&gt;(Updated 8/15/2011. Format to be publisher (in alphabetical order) and date, followed by poem(s)' title(s).)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;2nd AVENUE POETRY&lt;/em&gt;: &lt;/strong&gt;"Second Language," "A Memory's Resonance Du Jour (II)", "Grandmother's Fable"&lt;br /&gt;AT: &lt;a href="http://2ndavepoetry.com/tabiosev1.html"&gt;http://2ndavepoetry.com/tabiosev1.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ars Poetica&lt;/em&gt;, Jan. 7, 2007:&lt;/strong&gt; "Athena" and "SENTENCES"&lt;br /&gt;AT: &lt;a href="http://www.logolalia.com/arspoetica/archives/cat_tabios_eileen.html"&gt;http://www.logolalia.com/arspoetica/&lt;br /&gt;archives/cat_tabios_eileen.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ars Poetica&lt;/em&gt;, Jan. 8, 2007:&lt;/strong&gt; "Ifugao Red"&lt;br /&gt;AT: &lt;a href="http://www.logolalia.com/arspoetica/archives/cat_carbo_nick_and_tabios_eileen.html"&gt;http://www.logolalia.com/arspoetica/&lt;br /&gt;archives/cat_carbo_nick_and_tabios_eileen.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Asia and Pacific Writers Network&lt;/em&gt;, October 2007:&lt;/strong&gt; "Overseas Filipinio Worker", "Ground Meat", "Blue Trunk" and "Milk"&lt;br /&gt;AT: &lt;a href="http://www.apwn.net/index.php?/apwn/more/from_commodities_an_autobiography_by_eileen_r_tabios/"&gt;http://www.apwn.net/index.php?/apwn/&lt;br /&gt;more/from_commodities_an_autobiography_&lt;br /&gt;by_eileen_r_tabios/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Aught&lt;/em&gt;, No. 11/12, 2003:&lt;/strong&gt; “Epilogue Poems 13-18”&lt;br /&gt;AT: &lt;a href="http://people2.clarityconnect.com/webpages6/ronhenry/tabios11.htm"&gt;http://people2.clarityconnect.com/&lt;br /&gt;webpages6/ronhenry/tabios11.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Big Bridge &lt;/em&gt;"War Papers", 2009:&lt;/strong&gt; "Ars Poetica (#100,000)"&lt;br /&gt;AT: &lt;a href="http://bigbridge.org/BB14/WAR09.HTM#ETabios"&gt;http://bigbridge.org/BB14/WAR09.HTM#ETabios&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Big City Lit&lt;/em&gt;, September 2001: &lt;/strong&gt;"&lt;em&gt;Tercets from &lt;/em&gt;The Book of Revelation"&lt;br /&gt;AT: &lt;a href="http://nycbigcitylit.com/sep2001/contents/PoetryFeature.html#Tercets"&gt;http://nycbigcitylit.com/sep2001/contents/&lt;br /&gt;PoetryFeature.html#Tercets&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Birds of Ophion &lt;/em&gt;(2006):&lt;/strong&gt; "The Twenty-Fourth Page" and "The Twenty-Fifth Page"&lt;br /&gt;AT: &lt;a href="http://birdsofophion.net/tabi.aspx"&gt;http://birdsofophion.net/tabi.aspx&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Blue Fifth Review&lt;/em&gt;, Summer 2004: &lt;/strong&gt;“A Triangle of Secrets”  &lt;br /&gt;AT: &lt;a href="http://www.angelfire.com/zine/bluefifth/BlueFifthReader/Tabios.html"&gt;http://www.angelfire.com/zine/bluefifth/&lt;br /&gt;BlueFifthReader/Tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Blue Fifth Review&lt;/em&gt;, Spring 2004:&lt;/strong&gt; “Samba Pa Ti”&lt;br /&gt;AT: &lt;a href="http://www.angelfire.com/zine/bluefifth/Spring2004/SambaPaTi.html"&gt;http://www.angelfire.com/zine/bluefifth/&lt;br /&gt;Spring2004/SambaPaTi.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Blue Fifth Review&lt;/em&gt;, Volume V. Issue 3, July 2005:&lt;/strong&gt; “; To Study Art is to Become Thin” and “; Writing Past Margin”&lt;br /&gt;AT: &lt;a href="http://www.angelfire.com/zine/bluefifth/Summer2005/poems1S05.html"&gt;http://www.angelfire.com/zine/bluefifth/&lt;br /&gt;Summer2005/poems1S05.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Blue Mule&lt;/em&gt;, 2009:&lt;/strong&gt; "The Blue Mule: An Ado(a)ption Triptych"&lt;br /&gt;AT: &lt;a href="http://www.sugarmule.com/31-Tabio-e.htm"&gt;http://www.sugarmule.com/31-Tabio-e.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Boog City&lt;/em&gt;, 2003:&lt;/strong&gt; “Conjurations 4-13”&lt;br /&gt;AT: &lt;a href="http://welcometoboogcity.com/boogpdfs/bc09.pdf"&gt;http://welcometoboogcity.com/&lt;br /&gt;boogpdfs/bc09.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;CanWeHaveOurBallBack&lt;/em&gt;, # 16:&lt;/strong&gt; "White, Throbbing"&lt;br /&gt;AT: &lt;a href="http://canwehaveourballback.com/16tabios.htm"&gt;http://canwehaveourballback.com/16tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;CanWeHaveOurBallBack&lt;/em&gt;, # 17:&lt;/strong&gt; "The Piano Keys" and "Ex-Faith"&lt;br /&gt;AT: &lt;a href="http://canwehaveourballback.com/17tabios.htm"&gt;http://canwehaveourballback.com/17tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Chris Murray's E-Po&lt;/em&gt;, Aug. 26, 2004:&lt;/strong&gt; "A Memory's Resonance Du Jour (II) As Gabriela Struggles to Apply Significance"&lt;br /&gt;AT: &lt;a href="http://e-po.blogspot.com/2004_08_26_e-po_archive.html"&gt;http://e-po.blogspot.com/2004_08_26_e-po_archive.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Coconut Magazine #14&lt;/em&gt;, October 2010:&lt;/strong&gt; "The Erotic Life of Art: A Seance with William Carlos Williams"&lt;br /&gt;AT: &lt;a href="http://www.octopusmagazine.com/issue14/html/main.html"&gt;http://www.octopusmagazine.com/issue14/html/main.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Cosmopoetica Commonplace Book&lt;/em&gt;, 2005: &lt;/strong&gt;from "The Wire Sculpture"&lt;br /&gt;AT: &lt;a href="http://www.cosmopoetica.com/cpb/library/2005/06/08/tabios-the-wire-sculpture/"&gt;http://www.cosmopoetica.com/cpb/library/&lt;br /&gt;2005/06/08/tabios-the-wire-sculpture/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Critiphoria&lt;/em&gt;, Issue 1, Feb. 2008:&lt;/strong&gt; "POETRY CRITICISM" for Paul Auster, and after his Collected Poems&lt;br /&gt;AT: &lt;a href="http://www.critiphoria.org/Issue1/Eileen_Tabios.pdf"&gt;http://www.critiphoria.org/Issue1/Eileen_Tabios.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;DRAGONFIRE &lt;/em&gt;(Drexel University), Dec. 25, 2006:&lt;/strong&gt; "The Bread of Florence"&lt;br /&gt;AT: &lt;a href="http://www.dfire.org/x5767.xml"&gt;http://www.dfire.org/x5767.xml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;DRAGONFIRE &lt;/em&gt;(Drexel University), February 2006:&lt;/strong&gt; "Spell #4," "Spell #7" and "Spell #10"&lt;br /&gt;AT: &lt;a href="http://www.dfire.org/x1958.xml"&gt;http://www.dfire.org/x1958.xml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;THE DUPLICATIONS&lt;/em&gt;, Sept. 9, 2005:&lt;/strong&gt; "Circa 2005"&lt;br /&gt;AT: &lt;a href="http://duplications.blogspot.com/2005/09/eileen-tabios-circa-2005.html"&gt;http://duplications.blogspot.com/2005/09/eileen-tabios-circa-2005.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;DUSIE #5&lt;/em&gt;, January 2007:&lt;/strong&gt; "Gospel For My Father"&lt;br /&gt;AT: &lt;a href="http://www.dusie.org/tabios.html"&gt;http://www.dusie.org/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ekleksographia Wave 2&lt;/em&gt;, October 2009:&lt;/strong&gt; "English Lessons"&lt;br /&gt;AT: &lt;a href="http://ekleksographia.ahadadabooks.com/ballardini/authors/eileen_tabios.html"&gt;http://ekleksographia.ahadadabooks.com/ballardini/&lt;br /&gt;authors/eileen_tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;EOAGH #5, 2009: "Roman Synopsis #3" and "Roman Synopsis #4"&lt;br /&gt;AT: &lt;a href="http://chax.org/eoagh/issuefive/tabios.html"&gt;http://chax.org/eoagh/issuefive/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Eratio Postmodern Poetry&lt;/em&gt;, Issue 6, Fall 2005: &lt;/strong&gt;"The Twenty-Third Page, "The Twenty-Fourth Page" and "The Twenty-Fifth Page"&lt;br /&gt;AT: &lt;a href="http://www.eratiopostmodernpoetry.com/poeticlanguagesix.html#8"&gt;http://www.eratiopostmodernpoetry.com/&lt;br /&gt;poeticlanguagesix.html#8&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Eratio Postmodern Poetry&lt;/em&gt;, Spring 2006:&lt;/strong&gt; "Glow Worm," "Lewd", "Easily Memorized", "Shade"&lt;br /&gt;AT: &lt;a href="http://www.eratiopostmodernpoetry.com/poeticlanguageseventwo.html#18"&gt;http://www.eratiopostmodernpoetry.com/&lt;br /&gt;poeticlanguageseventwo.html#18&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Famous Reporter #31&lt;/em&gt;, November 2005: &lt;/strong&gt;"Ex-Garter"&lt;br /&gt;AT: &lt;a href="http://walleahpress.com.au/FR31Tabios.html"&gt;http://walleahpress.com.au/FR31Tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;FieraLingue&lt;/em&gt;, Health Issue 2010:&lt;/strong&gt; "from ORPHANED ALGEBRA (#23)"&lt;br /&gt;AT: &lt;a href="http://www.fieralingue.it/corner.php?pa=printpage&amp;pid=3254"&gt;http://www.fieralingue.it/corner.php?pa=printpage&amp;pid=3254&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;FieraLingue&lt;/em&gt;, Summer Issue 2009:&lt;/strong&gt; "The Artichoke Heart"&lt;br /&gt;AT: &lt;a href="http://www.fieralingue.it/corner.php?pa=printpage&amp;pid=3020"&gt;http://www.fieralingue.it/corner.&lt;br /&gt;php?pa=printpage&amp;pid=3020&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Fieralingue&lt;/em&gt;, 2008-2009:&lt;/strong&gt; "ANTI-WINTER: THE DOUBLE LIFE OF AN ANGEL"&lt;br /&gt;AT: &lt;a href="http://www.fieralingue.it/corner.php?pa=printpage&amp;pid=2771"&gt;http://www.fieralingue.it/corner.php?&lt;br /&gt;pa=printpage&amp;pid=2771&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Fieralingue&lt;/em&gt;, December 2008:&lt;/strong&gt; "BIRTHDAY POETICS, 9/11/2008: A RE-VISION" and "DISASTER RELIEF"&lt;br /&gt;AT: &lt;a href="http://www.fieralingue.it/corner.php?pa=printpage&amp;pid=2730"&gt;http://www.fieralingue.it/corner.php?&lt;br /&gt;pa=printpage&amp;pid=2730&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Fieralingue&lt;/em&gt;, October 2008:&lt;/strong&gt; "Autumn Departures"&lt;br /&gt;AT: &lt;a href="http://www.fieralingue.it/corner.php?pa=printpage&amp;pid=2588"&gt;http://www.fieralingue.it/corner.php?&lt;br /&gt;pa=printpage&amp;pid=2588&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;FieraLingue Poet's Corner&lt;/em&gt;:&lt;/strong&gt; "Falling Up," "Dear Mr. Sunshine," "Chapter Nine," "7:49 A.M., St. Helena," "FUG," "The Living Canvas" and "Yen"&lt;br /&gt;AT: &lt;a href="http://www.fieralingue.it/modules.php?name=Content&amp;pa=list_pages_categories&amp;cid=125"&gt;http://www.fieralingue.it/modules.php?&lt;br /&gt;name=Content&amp;pa=list_pages_&lt;br /&gt;categories&amp;cid=125&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Fuel &lt;/em&gt;20: &lt;/strong&gt;"Profiles"&lt;br /&gt;AT: &lt;a href="http://www.knowmadz.org/library/fuel/20/profiles.htm"&gt;http://www.knowmadz.org/library/fuel/20/&lt;br /&gt;profiles.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;First Annual Festival of Women's Poetry&lt;/em&gt;, November 2008:&lt;/strong&gt; "Grace Reddens", "The Singer" and "Dark Freedom"&lt;br /&gt;AT: &lt;a href="http://wompherence.proboards82.com/index.cgi?board=fip&amp;action=display&amp;thread=646"&gt;http://wompherence.proboards82.com/index.cgi?&lt;br /&gt;board=fip&amp;action=display&amp;thread=646&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Fugacity 05 Online Poetry Anthology&lt;/em&gt;, 2005:  &lt;/strong&gt;“; A Tenderness so Painful”&lt;br /&gt;AT: &lt;a href="http://www.nzepc.auckland.ac.nz/features/fugacity/tabios.asp"&gt;http://www.nzepc.auckland.ac.nz/features/&lt;br /&gt;fugacity/tabios.asp&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Get Underground&lt;/em&gt;, Oct. 1, 2003: &lt;/strong&gt;"Temporal Mechanics As Gabriela Prays For Courage," "EEL As Gabriela Slips," "Sterility As Gabriela Peruses A Rosebud," "A Recollection As Gabriela Ends A Coffee Break," and "Texting As Gabriela Plays With Ellipses"&lt;br /&gt;AT: &lt;a href="http://www.getunderground.com/underground/columns/article.cfm?Article_ID=1282"&gt;http://www.getunderground.com/underground/&lt;br /&gt;columns/article.cfm?Article_ID=1282&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Hamilton Stone Review&lt;/em&gt;, Issue 6, Summer 2005: &lt;/strong&gt;"; The Hidden Logic of Births Necessitating Violence," "; Hope for Enchantment" and "; The Possible Glow"&lt;br /&gt;AT: &lt;a href="http://www.hamiltonstone.org/hsr6poetry.html#tabios"&gt;http://www.hamiltonstone.org/hsr6poetry.html&lt;br /&gt;#tabios&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Her Circle Ezine&lt;/em&gt;, Summer 2006:&lt;/strong&gt; "The Quest for Jessamine"&lt;br /&gt;AT: &lt;a href="http://www.hercircleezine.com/pages/theQuest.html"&gt;http://www.hercircleezine.com/&lt;br /&gt;pages/theQuest.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Haus Brezel German Shepherds &lt;/em&gt;(scroll to middle of page):&lt;/strong&gt; “Achilles of Galatea”&lt;br /&gt;AT: &lt;a href="http://www.hausbrezel.com/german-shepherds/contact.html"&gt;http://www.hausbrezel.com/&lt;br /&gt;german-shepherds/contact.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;INERTIA MAGAZINE&lt;/em&gt;, Jan. 2008:&lt;/strong&gt; "The Hay(na)ku of Numbers"&lt;br /&gt;AT: &lt;a href="http://www.inertiamagazine.com/i4/tabios.html"&gt;http://www.inertiamagazine.com/i4/&lt;br /&gt;tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;JACKET #32&lt;/em&gt;, April 2007: &lt;/strong&gt;"Eggs: Pulp Fiction For Easter"&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/32/holiday-album.shtml#tabios"&gt;http://jacketmagazine.com/32/&lt;br /&gt;holiday-album.shtml#tabios&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Jeepney Dash Records &lt;/em&gt;(audio):&lt;/strong&gt; “After 2 A.M.”&lt;br /&gt;AT: &lt;a href="http://artists.iuma.com/IUMA/Bands/Jeepney_Dash_Records/"&gt;http://artists.iuma.com/IUMA/&lt;br /&gt;Bands/Jeepney_Dash_Records/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Judd's Hill&lt;/em&gt;, Fall 2003:&lt;/strong&gt; "Justice"&lt;br /&gt;AT: &lt;a href="http://www.juddshill.com/2003-6.html"&gt;http://www.juddshill.com/2003-6.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Kimera: Journal of Fine Writing&lt;/em&gt;, Vol. 3, No. 1: &lt;/strong&gt;"MISsedConception" and "Noelle"&lt;br /&gt;AT: &lt;a href="http://www.js.spokane.wa.us/kimerav3n1/tabios.htm"&gt;http://www.js.spokane.wa.us/kimerav3n1/&lt;br /&gt;tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Kulture Flash #89&lt;/em&gt;, 2005: &lt;/strong&gt;"A Coagulation of Pixels"&lt;br /&gt;AT: &lt;a href="http://www.kultureflash.net/archive/89/poemtabios.html"&gt;http://www.kultureflash.net/archive/89/poem&lt;br /&gt;tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Lantern Review&lt;/em&gt;: June 2010:&lt;/strong&gt; "DISASTER RELIEF (#2)"&lt;br /&gt;AT: &lt;a href="http://www.lanternreview.com/issue1/cover.html"&gt;http://www.lanternreview.com/issue1/cover.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Left-Facing Bird&lt;/em&gt;, April 2008:&lt;/strong&gt; "Blog Poetics"&lt;br /&gt;AT: &lt;a href="http://leftfacingbird.com/LEFT%20FACING%20BIRD/LEFT%20FACING%20BIRD.html"&gt;http://leftfacingbird.com/LEFT%20FACING%20BIRD/&lt;br /&gt;LEFT%20FACING%20BIRD.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Listen Light&lt;/em&gt;, Summer 2006:&lt;/strong&gt; "&lt;em&gt;four Cantos from &lt;/em&gt;TRANCE ASCENT"&lt;br /&gt;AT: &lt;a href="http://listenlight.net/01/tabios/"&gt;http://listenlight.net/01/tabios/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Literary Well/Pozo Literario&lt;/em&gt;, Winter 200 4-05:&lt;/strong&gt; "The Chase," "The Beginning," "The Empty Flagpole," "Enheduanna #2," "Grandmother's Fable," and ";The Back of a Napkin"&lt;br /&gt;AT: &lt;a href="http://lit.carayanpress.com/etabios.html"&gt;http://lit.carayanpress.com/etabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Litter Magazine&lt;/em&gt;, June 2006:&lt;/strong&gt; "The Secret Life of an Angel" and (with Andrew Lundwall) "Untitled"&lt;br /&gt;AT: &lt;a href="http://leafepress.com/litter1/tabios01.html"&gt;http://leafepress.com/litter1/&lt;br /&gt;tabios01.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Logolalia Ars Poetica&lt;/em&gt;, Jan. 6, 2007:&lt;/strong&gt; "Sentences"&lt;br /&gt;AT: &lt;a href="http://www.logolalia.com/arspoetica/archives/002900.html"&gt;http://www.logolalia.com/arspoetica/&lt;br /&gt;archives/002900.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Logolalia Ars Poetica&lt;/em&gt;, Jan. 7, 2007:&lt;/strong&gt;  "Athena" &lt;br /&gt;AT: &lt;a href="http://www.logolalia.com/arspoetica/archives/002903.html"&gt;http://www.logolalia.com/arspoetica/&lt;br /&gt;archives/002903.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Logolalia Ars Poetica&lt;/em&gt;, Jan. 8, 2007:&lt;/strong&gt;  "Ifugao Red"&lt;br /&gt;AT: &lt;a href="http://www.logolalia.com/arspoetica/archives/002906.html"&gt;http://www.logolalia.com/arspoetica/&lt;br /&gt;archives/002906.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;LUZMAG: An Irregular Literary Magazine&lt;/em&gt;, Jan. 28, 2006: &lt;/strong&gt;"A Crystallization", "Burning Pulpit", "Trans-Insomnia" and "Pygmalion's Embrace"&lt;br /&gt;AT: &lt;a href="http://luzmag.blogspot.com/2006/01/four-poems-by-eileen-r.html"&gt;http://luzmag.blogspot.com/2006/01/four-poems-by-eileen-r.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MiPOesias Magazine&lt;/em&gt;, Asian American Issue, 2007:&lt;/strong&gt; "From The Tibetan Hallway of Transition," "The Quest For Jessamine," “Step By Step (1992)” by Max Gimblett," "A JACKSON POLLOCK POEM FOR MAX FROM WITHIN MY FEVER"&lt;br /&gt;AT: &lt;a href="http://www.mipoesias.com/Asian-American2007/tabios_eileen_r.htm"&gt;http://www.mipoesias.com/Asian-&lt;br /&gt;American2007/tabios_eileen_r.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MiPOesias Magazine&lt;/em&gt;, Volume 20, Issue 2, 2006:&lt;/strong&gt; "A Hobby"&lt;br /&gt;AT: &lt;a href="http://www.mipoesias.com/2006Volume20Issue2/tabios.htm"&gt;http://www.mipoesias.com/2006Volume20&lt;br /&gt;Issue2/tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MiPOesias Magazine&lt;/em&gt;, 2006:&lt;/strong&gt;  “; Clouds Effect,” “; The Loss of a Wool Coat,” “; The Hidden Logic of Births Necessitating Violence,” “; A Tenderness so Painful” and “The Thirtieth to Sixtieth Pages (I)”&lt;br /&gt;AT: &lt;a href="http://www.mipoesias.com/2006/tabios.html"&gt;http://www.mipoesias.com/&lt;br /&gt;2006/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MNARTISTS&lt;/em&gt;, March 2006:&lt;/strong&gt; "FEMINISTS MAKE ACHILLES HEEL" (A Photoem) &lt;br /&gt;AT: &lt;a href="http://www.mnartists.org/work.do?rid=95419"&gt;http://www.mnartists.org/work.do?rid=95419&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Money Dance Blog&lt;/em&gt;, July 13, 2005: &lt;/strong&gt;"; Hope for Enchantment "&lt;br /&gt;AT: &lt;a href="http://moneydance.blogspot.com/2005/07/hope-for-enchantment.html"&gt;http://moneydance.blogspot.com/2005/07/&lt;br /&gt;hope-for-enchantment.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Money Dance Blog&lt;/em&gt;, Sept. 30, 2005: &lt;/strong&gt;"RADIANCE (Footnote # 72)"&lt;br /&gt;AT: &lt;a href="http://moneydance.blogspot.com/2005/09/radiance.html"&gt;http://moneydance.blogspot.com/2005/09/&lt;br /&gt;radiance.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, Vol. 4, Issue 1, Summer 2001:&lt;/strong&gt; "Vulcan's Aftermath," "Untitled Bookstore (2000)," and "Perhaps This Second Drift"&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/tabios.html"&gt;http://www.moriapoetry.com/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, Vol. 6 issue 1, Summer 2003:&lt;/strong&gt; "Letter to a Poet Discovering Second Wind (or, After Learning the Opposite of Algebra is Transcendence)" and "From The Gray Monster In A Yellow Taxi"&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/tabios10.html"&gt;http://www.moriapoetry.com/tabios10.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, Vol. 6, Issue 3, Winter 2003:&lt;/strong&gt; "Missionary Effect / As Gabriela Reads Baudelaire (I)," "Wedding Veil / While Gabriela Watches A Vow Occur," "Ellipsis / As Gabriela Stares Down An Empty Boulevard," and "The Effort / As Gabriela Considers The Price She Pays"&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/tabios320.htm"&gt;http://www.moriapoetry.com/tabios320.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, Vol. 6, Issue 4, Spring 2004:&lt;/strong&gt; "My April" and "Brix"&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/tabios101.html"&gt;http://www.moriapoetry.com/tabios101.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;No Tell Motel&lt;/em&gt;, Week of April 17, 2006: &lt;/strong&gt;"Hotel Narrative (06 APR 1996)", "Cancer", "Metaphor", "Bread", and "From My Knees" &lt;br /&gt;AT: &lt;a href="http://www.notellmotel.org/archives_poet.php?view=category"&gt;http://www.notellmotel.org/archives_poet.php?view=category&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Nth Position&lt;/em&gt;, January 2003:&lt;/strong&gt; “Venus Rising For the First Time in the 21st Century” and “Shift” &lt;br /&gt;AT: &lt;a href="http://www.nthposition.com/venusrisingforthe.php"&gt;http://www.nthposition.com/venusrising&lt;br /&gt;forthe.php&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OCHO 30&lt;/em&gt;, June 2010:&lt;/strong&gt; "The Hundredth Monkey Phenomenon" and "Sacred Time"&lt;br /&gt;AT: &lt;a href="http://www.mipoesias.com/OCHO/"&gt;http://www.mipoesias.com/OCHO/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Otoliths&lt;/em&gt;, April 2011:&lt;/strong&gt; "MOTH ER"&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2011/03/eileen-r-tabios-moth-er-1-tears.html"&gt;http://the-otolith.blogspot.com/2011/03/eileen-r-tabios&lt;br /&gt;-moth-er-1-tears.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Otoliths&lt;/em&gt;, Autumn 2008:&lt;/strong&gt; "COPPER RAIN REDUX" and "POLITICAL ACT"&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2008/08/eileen-tabios-copper-rain-redux-and.html"&gt;http://the-otolith.blogspot.com/2008&lt;br /&gt;/08/eileen-tabios-copper-rain-redux-and.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Otoliths&lt;/em&gt;, April 2008: "Ars Poetica at Age 47" and "Mountain Mom"&lt;/strong&gt;&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2008/04/eileen-r.html"&gt;http://the-otolith.blogspot.com/2008/04/&lt;br /&gt;eileen-r.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Otoliths&lt;/em&gt;, October 2007: "Grids"&lt;/strong&gt;&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2007/10/eileen-r.html"&gt;http://the-otolith.blogspot.com/&lt;br /&gt;2007/10/eileen-r.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Otoliths&lt;/em&gt;, May, 2007:&lt;/strong&gt; "Brubeck Notes", "Forgiveness," "Dearest Nelson," "Plant Latin", "Infinity's Fragment", Four Poems Translated into Spanish by Ernesto Priego; Two Poems Translated into Tagalog by Paolo Manalo&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2007/04/eileen-tabios-brubeck-notes-after-girl.html"&gt;http://the-otolith.blogspot.com/2007/&lt;br /&gt;04/eileen-tabios-brubeck-notes-after-girl.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Otoliths 4&lt;/em&gt;, January 2007:&lt;/strong&gt; "The Poetry World Trap"&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2006/12/eileen-tabios-poetry-world-trap-re.html"&gt;http://the-otolith.blogspot.com/2006/12/&lt;br /&gt;eileen-tabios-poetry-world-trap-re.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OTOLITHS&lt;/em&gt;, Southern Spring 2006: &lt;/strong&gt;"from 'DREDGING FOR ATLANTIS'&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2006/08/eileen-tabios-from-dredging-for.html"&gt;http://the-otolith.blogspot.com/2006/08/&lt;br /&gt;eileen-tabios-from-dredging-for.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OTOLITHS&lt;/em&gt;, Southern Autumn, 2006:&lt;/strong&gt; "My City of Baguio"&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2006/03/eileen-tabios-my-city-of-baguio-our.html"&gt;http://the-otolith.blogspot.com/2006/03/&lt;br /&gt;eileen-tabios-my-city-of-baguio-our.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnvVoice&lt;/em&gt;, December 2010:&lt;/strong&gt; "December 2004", "Paul Auster's Father", "The Autistic Boy" and "Filipino"&lt;br /&gt;AT: &lt;a href="http://oovrag.com/poems/poems2010c-tabios4.shtml"&gt;http://oovrag.com/poems/poems2010c-tabios4.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnvVoice&lt;/em&gt;, August 2010:&lt;/strong&gt; "Hay(na)ku with Ducktail", "The Hundredth Monkey Phenomenon," and "Sacred Time"&lt;br /&gt;AT: &lt;a href="http://ourownvoiceonline.com/poems/poems2010b-tabios3.shtml"&gt;http://ourownvoiceonline.com/poems/poems2010b-tabios3.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnvVoice&lt;/em&gt;, May 2010:&lt;/strong&gt; "Lucifer, Mistranslated"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/poems/poems2010a-tabios.shtml"&gt;http://www.oovrag.com/poems/poems2010a-tabios.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2001: &lt;/strong&gt;"The Lamb"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/poems/poems2001e-tabios.shtml"&gt;http://www.oovrag.com/poems/poems2001e-tabios.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2003:&lt;/strong&gt; “Wine Country Light,” “Justice,” “The Fifteenth Stone,” “Conjunctions,” “"Pursuance" by John Coltrane,” “After the Rain,” “Swallow Sprezzaturra,” and “Toxin”&lt;br /&gt;AT:  &lt;a href="http://66.51.113.241/poems/poems2003d-tabios.shtml"&gt;http://66.51.113.241/poems/poems2003d-tabios.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, April 2005: &lt;/strong&gt;"Mudra"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/poems/poems2005b-tabios.shtml"&gt;http://www.oovrag.com/poems/poems2005b-tabios.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2005: &lt;/strong&gt;"; The Embodiment of Language", "; Unplayed PIano Music" and "; Thin Music"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/poems/poems2005e-tabios.shtml"&gt;http://www.oovrag.com/poems/poems2005e-tabios.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2009:&lt;/strong&gt; "Brubeck Notes", "Synopsis #1", "Storm Trooper", "Email to a Young Poet", "Challenge"&lt;br /&gt;AT: &lt;a href="http://ourownvoice.com/poems/poems2009b-tabios1.shtml"&gt;http://ourownvoice.com/poems/poems2009b-tabios1.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Peep/Show ....A Taxonomic Exercise in Textual and Visual Seriality&lt;/em&gt;...., August 2011:&lt;/strong&gt; excerpts from 147 Million Orphans&lt;br /&gt;AT: &lt;a href="http://peepshowpoetry.blogspot.com/2011/07/blog-post.html"&gt;http://peepshowpoetry.blogspot.com/2011/07/blog-post.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pettycoat Relaxer&lt;/em&gt;, February 2004: &lt;/strong&gt;"Slave, Where The Fuck Is My Candy?"&lt;br /&gt;AT: &lt;a href="http://www.pettycoatrelaxer.com/tabios.html"&gt;http://www.pettycoatrelaxer.com/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pettycoat Relaxer &lt;/em&gt;#six, November 2004:&lt;/strong&gt; "Reticence"&lt;br /&gt;AT: &lt;a href="http://www.pettycoatrelaxer.com/eileentab.html"&gt;http://www.pettycoatrelaxer.com/eileentab.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;P.F.S. Post&lt;/em&gt;, Nov. 17, 2008:&lt;/strong&gt; "Grace Reddens", "Flooded Through" and "Painting Dance"&lt;br /&gt;AT: &lt;a href="http://www.artrecess.blogspot.com/"&gt;http://www.artrecess.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Philippine Post Magazine&lt;/em&gt;, 2001:&lt;/strong&gt; “9 1 1 - My 41st Birthday (Notes to a Poem I Will Not Write)”&lt;br /&gt;AT: &lt;a href="http://www.philpost.com/0901pages/tabio0901.html"&gt;http://www.philpost.com/0901pages/&lt;br /&gt;tabio0901.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Poemeleon: A Journal of Poetry&lt;/em&gt;, Vol II, Issue 1, June 2007:&lt;/strong&gt; "How To Write A Poem," "How To Read A Poem," "Untitled" and "Rebirth", with Spanish and Italian translations by Rebeka Lembo&lt;br /&gt;AT: &lt;a href="http://www.poemeleon.org/eileen-tabios2/"&gt;http://www.poemeleon.org/&lt;br /&gt;eileen-tabios2/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Poemeleon: A Journal of Poetry&lt;/em&gt;, Vol. I, Issue 1, June 2006: &lt;/strong&gt;"Chapter Nine-Teenth," "pages 89 &amp; 90: Alicante"&lt;br /&gt;AT: &lt;a href="http://www.poemeleon.org/eileen-tabios/"&gt;http://www.poemeleon.org/eileen-tabios/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;PoemFlesh2&lt;/em&gt;, February 2010: &lt;/strong&gt;"Reticence" and "Reticent"&lt;br /&gt;AT: &lt;a href="http://poemflesh2.blogspot.com/2010/02/on-three-wirh-eileen-tabios.html"&gt;http://poemflesh2.blogspot.com/2010/&lt;br /&gt;02/on-three-wirh-eileen-tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Poetryvlog&lt;/em&gt;, 2007:&lt;/strong&gt; Video of Eileen Tabios reading poems during New York launch of &lt;a href="http://marshhawkpress.org/tabios3.htm"&gt;&lt;em&gt;The Light Sang As It Left Your Eyes &lt;/em&gt;&lt;/a&gt;(Marsh Hawk Press, 2007)&lt;br /&gt;AT: &lt;a href="http://www.poetryvlog.com/etabios.html"&gt;http://www.poetryvlog.com/etabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;poet'sPicturebook #18&lt;/em&gt;, 2008:&lt;/strong&gt; "Jeopardy's Secret Ingredients" and "Can you match the question with its answer?"&lt;br /&gt;AT: &lt;a href="http://marnescriptspage2.blogspot.com/"&gt;http://marnescriptspage2.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Poetry Foundation: "I Do", "II. Homunculus", "The Forced Departure", "The Investment Banker" &lt;br /&gt;AT: &lt;a href="http://www.poetryfoundation.org/bio/eileen-r-tabios"&gt;http://www.poetryfoundation.org/bio/eileen-r-tabios&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;qarrtsiluni&lt;/em&gt;, July 28, 2009: "Post-Coital"&lt;br /&gt;AT: &lt;a href="http://qarrtsiluni.com/2009/07/28/post-coital/"&gt;http://qarrtsiluni.com/2009/07/28/post-coital/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;quarrtsiluni Special Issue on Collaborations&lt;/em&gt;, January 2009:&lt;/strong&gt; Poem-sculptures with Nick Carbo&lt;br /&gt;AT: &lt;a href="http://qarrtsiluni.com/2009/01/23/sculptures-and-text-poems/"&gt;http://qarrtsiluni.com/2009/01/23/&lt;br /&gt;sculptures-and-text-poems/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;RD20Z&lt;/em&gt;, 2006:&lt;/strong&gt; "Desperate Trust", "5NOV02 Letter to Andy Goldsworthy", "Question"&lt;br /&gt;AT: &lt;a href="http://www.rd2oz.net/tabi.html"&gt;http://www.rd2oz.net/tabi.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;RIFE&lt;/em&gt;, Vol. 1.0 [2004]:&lt;/strong&gt; “Ideal Violet,” “Epilogue Poems,” "______AND_____", and “Banned and Determined”&lt;br /&gt;AT: &lt;a href="http://www.geocities.com/iunyper/rifeone/tabios.html"&gt;http://www.geocities.com/iunyper/rifeone/&lt;br /&gt;tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Rio: A Journal of the Arts&lt;/em&gt;, Issue 4, Fall, 1997: &lt;/strong&gt;“Respect”&lt;br /&gt;AT: &lt;a href="http://www.rioarts.com/rio4/tabios.html"&gt;http://www.rioarts.com/rio4/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Rogue Poetry Review&lt;/em&gt;, Issue 1, 2006: &lt;/strong&gt;Cantos 2, 9, 21 and 27 from "Trance Ascent"&lt;br /&gt;AT: &lt;a href="http://roguepr.wordpress.com/fall-2006-issue-vol-i/eileen-tabios/"&gt;http://roguepr.wordpress.com/fall-2006&lt;br /&gt;-issue-vol-i/eileen-tabios/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;SciFaiku&lt;/em&gt;:&lt;/strong&gt; "[Star Trek Haiku]"&lt;br /&gt;AT: &lt;a href="http://www.scifaiku.com/read/archive/submitted-sf.html"&gt;http://www.scifaiku.com/read/archive/submitted-sf.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Seconds: A Virtual Treasury of Verse&lt;/em&gt;, May 30, 2007:&lt;/strong&gt; "REMEMBER? / MOON AND ALLEY" and "THE TRUFFLE HUNT"&lt;br /&gt;AT: &lt;a href="http://fcdrain.blogspot.com/2007/05/eileen-tabios_30.html"&gt;http://fcdrain.blogspot.com/2007&lt;br /&gt;/05/eileen-tabios_30.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #10&lt;/em&gt;, Feb. 2002:&lt;/strong&gt; "My Impossibility of Languor"&lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooTen/tabios.html"&gt;http://www.shampoopoetry.com/Shampoo&lt;br /&gt;Ten/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #11&lt;/em&gt;, April 2002:&lt;/strong&gt; "The World Is Yours"&lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooEleven/tabios.html"&gt;http://www.shampoopoetry.com/Shampoo&lt;br /&gt;Eleven/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #13&lt;/em&gt;, August 2002:&lt;/strong&gt; "As Catherine Becomes Kitty"&lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooThirteen/tabios.html"&gt;http://www.shampoopoetry.com/Shampoo&lt;br /&gt;Thirteen/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #15&lt;/em&gt;, December 2002:&lt;/strong&gt; "Before and Beyond Foam"&lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooFifteen/tabios.html"&gt;http://www.shampoopoetry.com/Shampoo&lt;br /&gt;Fifteen/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #17&lt;/em&gt;, Summer 2003:&lt;/strong&gt; "Poem" (with David Hess)&lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooSeventeen/tabioshess.html"&gt;http://www.shampoopoetry.com/Shampoo&lt;br /&gt;Seventeen/tabioshess.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #19&lt;/em&gt;, December 2003:&lt;/strong&gt; "Delaying Death (Until Gabriela Turns Forty)"&lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooNineteen/tabios.html"&gt;http://www.shampoopoetry.com/Shampoo&lt;br /&gt;Nineteen/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #24&lt;/em&gt;: June, 2005:&lt;/strong&gt; "The Eioghteenth Page" and "The Nineteenth Page"&lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooTwentyfour/tabios.html"&gt;http://www.shampoopoetry.com/Shampoo&lt;br /&gt;Twentyfour/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #27&lt;/em&gt;, April 2006: &lt;/strong&gt;"Winged Victory," "Hail to You," "Café du Neant," "Caesura" and "Impression"&lt;br /&gt;AT: &lt;a href="http://shampoopoetry.com/"&gt;http://shampoopoetry.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Shampoo #36&lt;/em&gt;, 2009:&lt;/strong&gt; "From THE BOOK" &lt;br /&gt;AT: &lt;a href="http://www.shampoopoetry.com/ShampooThirtysix/tabios.html"&gt;http://www.shampoopoetry.com/ShampooThirtysix/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;SHARKFORUM&lt;/em&gt;, July 23, 2007:&lt;/strong&gt; "Corolla"&lt;br /&gt;AT: &lt;a href="http://www.sharkforum.org/archives/2007/07/poem_of_the_week_by_eileen_r_t_1.html"&gt;http://www.sharkforum.org/&lt;br /&gt;archives/2007/07/poem_of_the_week_&lt;br /&gt;by_eileen_r_t_1.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sidereality &lt;/em&gt;(Volume I, Issue 1, March-April, 2002):&lt;/strong&gt; "Adjectives from the Last Time They Met," and "The Fairy Child's Prayer"&lt;br /&gt;AT: &lt;a href="http://www.sidereality.com/archives/volume1issue1/contentsv1n1.htm"&gt;http://www.sidereality.com/&lt;br /&gt;archives/volume1issue1/contentsv1n1.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sidereality &lt;/em&gt;(Volume 2, Issue 3, July-Sept., 2003): &lt;/strong&gt;"Ars Pictura" and "First-and-a-Half Principles (or Rock Climbing's Ars Poetica)"&lt;br /&gt;AT: &lt;a href="http://www.sidereality.com/volume2issue3/contentsv2n3.html"&gt;http://www.sidereality.com/&lt;br /&gt;volume2issue3/contentsv2n3.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sidereality &lt;/em&gt;(Vol. 2, No. 1, January-March 2003):&lt;/strong&gt; "On Becoming Lucid When It Is Too Late," "On Being Worthy of a Smile," "On Incurable Infidelities," "On Looking Back at the Unborn," "On the Dangers of the Metaphor," "On the Delusion Called 'Relief'," "On the Excluded Word," "On the False Redemption of Scale," and "On What You Justifiably Label 'Deviance'"&lt;br /&gt;AT: &lt;a href="http://www.sidereality.com/volume2issue1/contentsv2n1.html#EileenTabios"&gt;http://www.sidereality.com/&lt;br /&gt;volume2issue1/contentsv2n1.html#EileenTabios&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;SOFTBLOW &lt;/em&gt;(2005):&lt;/strong&gt; "Page 6," "Page 7" and "Page 8"&lt;br /&gt;AT: &lt;a href="http://www.softblow.com/eileenrtabios.html"&gt;http://www.softblow.com/eileenrtabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sugar Mule&lt;/em&gt;, December 2006:&lt;/strong&gt; "Skim the Sheen" with Nick Carbo and "Brown-ing Moon" with David Baptiste-Chirot&lt;br /&gt;AT: &lt;a href="http://www.sugarmule.com//sm26flash.htm"&gt;http://www.sugarmule.com//&lt;br /&gt;sm26flash.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sugar Mule&lt;/em&gt;, Issue 8: &lt;/strong&gt;"Ethos," "Purity" and "Eclipse"&lt;br /&gt;AT: &lt;a href="http://www.marclweber.com/sugarmule/8Tabio-e.htm"&gt;http://www.marclweber.com/sugarmule/8Tabio-e.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Suspect Thoughts: A Journal of Subversive Writing &lt;/em&gt;(2004): &lt;/strong&gt;"Footnotes 4, 8, 17, 24, 29 and 35 to The History of Fallen Angels"&lt;br /&gt;AT: &lt;a href="http://www.suspectthoughts.com/tabios.html"&gt;http://www.suspectthoughts.com/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Brooklyn Rail&lt;/em&gt;, June 2011:&lt;/strong&gt; excerpts from &lt;em&gt;147 Million Orphans&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://brooklynrail.org/2011/06/poetry/from-147-million-orphans-a-haybun"&gt;http://brooklynrail.org/2011/06/poetry/from-147-million-orphans-a-haybun&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;THE CONTINENTAL REVIEW &lt;/em&gt;(2007):&lt;/strong&gt; Video-ed Reading of Flamenco Hay(na)ku poems&lt;br /&gt;AT: &lt;a href="http://www.thecontinentalreview.com/"&gt;http://www.thecontinentalreview.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Muse Apprentice Guild&lt;/em&gt;, October 2002:&lt;/strong&gt; "About Face"&lt;br /&gt;AT: http://www.muse-apprentice-guild.com/october_2002/eileentabios/home.html&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Muse Apprentice Guild&lt;/em&gt;, Winter 2003: &lt;/strong&gt;"Thaumaturgy", "GRAVAMEN", "Ex Cathedra", "Pellucid", "And Then" and "Baise Moi"&lt;br /&gt;AT: &lt;a href="http://www.muse-apprentice-guild.com/winter_2003/eileentabios/home.html"&gt;http://www.muse-apprentice-guild.com/&lt;br /&gt;winter_2003/eileentabios/home.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Onion Union #2 &lt;/em&gt;(2006):&lt;/strong&gt; "The First Face Transplant"&lt;br /&gt;AT: &lt;a href="http://www.theonionunion.com/html/issue02/tabios.html"&gt;http://www.theonionunion.com/html/issue02/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;WOMB POETRY, VOL. 1&lt;/em&gt;, January 2007:&lt;/strong&gt; from “EVERYONE TOUCHED BY / LIGHT BECOMES / SAINT”&lt;br /&gt;AT: &lt;a href="http://www.wombpoetry.com/tabios.html"&gt;http://www.wombpoetry.com/tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Word For/Word: A Journal of New Writing&lt;/em&gt;, 2009: &lt;/strong&gt;"The American Nightmare"&lt;br /&gt;AT: &lt;a href="http://www.wordforword.info/vol15/Tabios.htm"&gt;http://www.wordforword.info/vol15/Tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;XConnect&lt;/em&gt;, Vol. 1, Issue 3, February 1996:&lt;/strong&gt; “About Long, Black Limousines In A Fifth World Country” and “Write A Poem, Neruda Told The Postman”&lt;br /&gt;AT: &lt;a href="http://ccat.sas.upenn.edu/~xconnect/volume1/i3/poetry.html"&gt;http://ccat.sas.upenn.edu/&lt;br /&gt;~xconnect/volume1/i3/poetry.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;XConnect&lt;/em&gt;, Volume 3, Issue 1, May 1997:&lt;/strong&gt; “A Childhood Aftermath” and “Consolation”&lt;br /&gt;AT: &lt;a href="http://ccat.sas.upenn.edu/xconnect/v3/i1/contents.shtml"&gt;http://ccat.sas.upenn.edu/&lt;br /&gt;xconnect/v3/i1/contents.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;xStream&lt;/em&gt;, April 2002:&lt;/strong&gt; "Dear Daddy"&lt;br /&gt;AT: &lt;a href="http://www.geocities.com/xstreamezine/issue0.html"&gt;http://www.geocities.com/xstreamezine/&lt;br /&gt;issue0.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;xStream&lt;/em&gt;, Issue 1, May 2002:&lt;/strong&gt; "On My Knees in the Aftermath"&lt;br /&gt;AT: &lt;a href="http://www.geocities.com/xstreamezine/issue1.html"&gt;http://www.geocities.com/xstreamezine/&lt;br /&gt;issue1.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Zafusy &lt;/em&gt;(June 2006):&lt;/strong&gt; "Diary Leak (#3)&lt;br /&gt;AT: &lt;a href="http://www.zafusy.com/eileentabios.htm"&gt;http://www.zafusy.com/eileentabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;100+ Poets Against the War&lt;/em&gt;, January 2003: &lt;/strong&gt;"Why I Want to be a Baconaut"&lt;br /&gt;AT: &lt;a href="http://www.maine.com/Cursor/Raw/100_poets.html#Baconaut"&gt;http://www.maine.com/Cursor/Raw/100&lt;br /&gt;_poets.html#Baconaut&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728470693749540?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728470693749540'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728470693749540'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/poems.html' title='POEMS'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728581286200528</id><published>2008-03-17T17:41:00.000-07:00</published><updated>2011-08-15T22:40:45.612-07:00</updated><title type='text'>INTERVIEWS OF THE CHATELAINE</title><content type='html'>&lt;em&gt;(Updated 8/15/2011. Format to be publisher (in alphabetical order) and date, followed by interview's title and interviewer.)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;E-X-C-H-A-N-G-E-V-A-L-U-E-S&lt;/em&gt;, April 12, 2005:&lt;/strong&gt; "Interview with Eileen R. Tabios" by Tom Beckett&lt;br /&gt;AT: &lt;a href="http://willtoexchange.blogspot.com/"&gt;http://willtoexchange.blogspot.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;PoemFlesh2&lt;/em&gt;, February 2010:&lt;/strong&gt; Interview by Cynthia&lt;br /&gt;AT: &lt;a href="http://poemflesh2.blogspot.com/2010/02/on-three-wirh-eileen-tabios.html"&gt;http://poemflesh2.blogspot.com/2010/&lt;br /&gt;02/on-three-wirh-eileen-tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Poetry Foundation&lt;/em&gt;, May 2007:&lt;/strong&gt; "Just Get The Poems Out There" by Shanna Compton&lt;br /&gt;AT: &lt;a href="http://www.poetryfoundation.org/features/feature.onpoetry.html?id=179635"&gt;http://www.poetryfoundation.org/&lt;br /&gt;features/feature.onpoetry.html?id=179635&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;README&lt;/em&gt;, Issue No. 2 (2000):&lt;/strong&gt; "Eileen Tabios Interview" by Purvi Shah&lt;br /&gt;AT &lt;a href="http://home.jps.net/~nada/tabios.htm"&gt;http://home.jps.net/~nada/tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rob McLennan's Blog, Aug. 14, 2011: &lt;/strong&gt;12 or 20 (second series) questions&lt;br /&gt;AT: &lt;a href="http://robmclennan.blogspot/2011/06/12-or-20-second-series-questions-with_14.html"&gt;http://robmclennan.blogspot/2011/06/12-or-20-second-series-questions-with_14.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sidereality &lt;/em&gt;(Vol. 2, No. 1, January-March 2003):&lt;/strong&gt; "Interview with Eileen Tabios" by Clayton A. Couch&lt;br /&gt;AT: &lt;a href="http://www.sidereality.com/volume2issue1/interviewsv2n1/interviewwitheileentabios.htm"&gt;http://www.sidereality.com/&lt;br /&gt;volume2issue1/interviewsv2n1/&lt;br /&gt;interviewwitheileentabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Sword Review&lt;/em&gt;, 2005:&lt;/strong&gt; "Inside The Writing Mind: An Interview With Eileen R. Tabios" by Rochita Loenen-Ruiz&lt;br /&gt;AT: &lt;a href="http://www.theswordreview.com/columns.php?sub_id=104"&gt;http://www.theswordreview.com/columns.php?sub_id=104&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728581286200528?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728581286200528'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728581286200528'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/interviews-of-chatelaine.html' title='INTERVIEWS OF THE CHATELAINE'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728480688296208</id><published>2008-03-17T17:37:00.000-07:00</published><updated>2010-05-16T11:20:13.603-07:00</updated><title type='text'>POETRY-RELATED ESSAYS &amp; OTHER PROSE</title><content type='html'>&lt;em&gt;(Updated 5/16/10. Format to be publisher (in alphabetical order) and date, followed by essay's title.)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Boston Review: A Political and Literary Review&lt;/em&gt;, 1997: &lt;/strong&gt;"Displacements" (with Juliana Chang, Walter K. Lew, Tan Lin and John Yau)&lt;br /&gt;AT: &lt;a href="http://bostonreview.net/BR22.3/Chang.html"&gt;http://bostonreview.net/BR22.3/Chang.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MELUS&lt;/em&gt;, Spring 2004: &lt;/strong&gt;"MAGANDA: Thoughts on Poetic Form"&lt;br /&gt;AT: &lt;a href="http://www.findarticles.com/p/articles/mi_m2278/is_1_29/ai_n6148071"&gt;http://www.findarticles.com/&lt;br /&gt;p/articles/mi_m2278/is_1_29/ai_n6148071&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, Vol. 7, Issue 3 &amp; 4, Winter and Spring 2005:&lt;/strong&gt;&lt;br /&gt;"An Ekphrasis: On the Path of the Shona to Sculpt &lt;em&gt;The Masvikiru Quatrains&lt;/em&gt;"&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/tabiosth340.html"&gt;http://www.moriapoetry.com/tabiosth340.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, October 2002: &lt;/strong&gt;"Six Directions: Poetry As A Way of Life"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2002c-1.shtml"&gt;http://www.oovrag.com/essays/essay2002c-1.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, September 2005: &lt;/strong&gt;"Portrait of an Artist: Gloria Rodriguez, Publisher"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/portrait/portrait2005d-1.shtml"&gt;http://www.oovrag.com/portrait/portrait2005d-1.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, May 2007:&lt;/strong&gt; "List(ing) Poem: Towards the New Filipino Society"&lt;br /&gt;AT: &lt;a href="http://www.ourownvoice.com/essays/essay2007a-8.shtml"&gt;http://www.ourownvoice.com/essays/&lt;br /&gt;essay2007a-8.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, May 2007:&lt;/strong&gt; "Jean Vengua Wins 'The Filamore Tabios, Sr. Memorial Poetry Prize'"&lt;br /&gt;AT: &lt;a href="http://ourownvoice.com/essays/essay2007a-6.shtml"&gt;http://ourownvoice.com/essays/&lt;br /&gt;essay2007a-6.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;README #4&lt;/em&gt;, Spring/Summer 2001: &lt;/strong&gt;"On Jose Garcia Villa"&lt;br /&gt;AT: &lt;a href="http://home.jps.net/~nada/villa.htm"&gt;http://home.jps.net/~nada/villa.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;TATTOO POETICS&lt;/em&gt;, Sept. 7, 2008:&lt;/strong&gt; "Tattoo Poetics"&lt;br /&gt;AT: &lt;a href="http://tattoopoetics.wordpress.com/2008/10/07/eileen-tabioss-dream-tattoo/"&gt;http://tattoopoetics.wordpress.com/&lt;br /&gt;2008/10/07/eileen-tabioss-dream-tattoo/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;X Poetics&lt;/em&gt;, May 14, 2010:&lt;/strong&gt; "On the Children I Couldn't Bring Home"&lt;br /&gt;AT: &lt;a href="http://xpoetics.blogspot.com/2010/05/susan-gevirtz-and-eileen-tabios-starry.html"&gt;http://xpoetics.blogspot.com/2010/05/&lt;br /&gt;susan-gevirtz-and-eileen-tabios-starry.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728480688296208?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728480688296208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728480688296208'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/poetry-related-essays-other-prose.html' title='POETRY-RELATED ESSAYS &amp; OTHER PROSE'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728490711450121</id><published>2008-03-17T17:28:00.000-07:00</published><updated>2010-08-27T15:22:09.055-07:00</updated><title type='text'>SHORT STORIES</title><content type='html'>&lt;em&gt;(Updated 5/17/2010. Format to be publisher (in alphabetical order) and date, followed by fiction's title.)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Cerise Press: A Journal of Literature, Arts &amp; Culture&lt;/em&gt;, Fall/Winter 2009-20, Vol. 1 Issue 2:&lt;/strong&gt; "Silk Egg" (a novel, nominated for &lt;em&gt;Best American Short Stories&lt;/em&gt;)&lt;br /&gt;AT: &lt;a href="http://www.cerisepress.com/01/02/silk-egg"&gt;http://www.cerisepress.com/01/02/silk-egg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Literary Review&lt;/em&gt; (1999):&lt;/strong&gt; "The Other"&lt;br /&gt;AT: &lt;a href="http://theliteraryreview.org/phil/tabios.htm"&gt;http://theliteraryreview.org/phil/tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Muse Apprentice Guild&lt;/em&gt;, October 2002: &lt;/strong&gt;"About Face"&lt;br /&gt;AT: &lt;a href="http://www.muse-apprentice-guild.com/october_2002/eileentabios/home.html"&gt;http://www.muse-apprentice-guild.com/&lt;br /&gt;october_2002/eileentabios/home.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OTOLITHS&lt;/em&gt;, Issue One, Southern Autumn 2006:&lt;/strong&gt; "My City of Baguio"&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2006/03/eileen-tabios-my-city-of-baguio-our.html"&gt;http://the-otolith.blogspot.com/2006/03/eileen-tabios-my-city-of-baguio-our.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;OurOwnVoice, August, 2010: "Dear Cloud"&lt;br /&gt;AT: &lt;a href="http://ourownvoiceonline.com/stories/stories2010b-3.shtml"&gt;http://ourownvoiceonline.com/stories/stories2010b-3.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, September 2007:&lt;/strong&gt; "Negros"&lt;br /&gt;AT: &lt;a href="http://www.ourownvoice.com/stories/stories2007b-3.shtml"&gt;http://www.ourownvoice.com/stories/&lt;br /&gt;stories2007b-3.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, July 2003: &lt;/strong&gt;"La Luna 'Before Silence of Winter Comes'"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/stories/stories2003c-2.shtml"&gt;http://www.oovrag.com/stories/stories2003c-2.shtml&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728490711450121?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728490711450121'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728490711450121'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/short-stories.html' title='SHORT STORIES'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728473386728196</id><published>2008-03-17T17:25:00.000-07:00</published><updated>2008-12-30T00:01:56.929-08:00</updated><title type='text'>ART ESSAYS</title><content type='html'>&lt;em&gt;(Updated 12/30/08. Format to be publisher (in alphabetical order) and date, followed by essay's title.)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MaArte ka ba? #8&lt;/em&gt;, 2000:&lt;/strong&gt; "Santiago Bose: How The Filipino Becomes A Nomad"&lt;br /&gt;AT: &lt;a href="http://www.maarte.org/articles/article.php?article=artistBose.html"&gt;http://www.maarte.org/articles/article.php?&lt;br /&gt;article=artistBose.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MaArte ka ba?&lt;/em&gt;, July 2001: &lt;/strong&gt;“Stephanie Syjuco: "How Homogenization Becomes a Form of Hybridization,"”&lt;br /&gt;AT: &lt;a href="http://www.maarte.org/articles/article.php?article=artistSSyjuco.html"&gt;http://www.maarte.org/articles/article.php?article=artistSSyjuco.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, January 2001: &lt;/strong&gt;"Meditations on Ilokano Abstractions (On V.C. Igarta)"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2001a-1a.shtml"&gt;http://www.oovrag.com/essays/essay2001a-1a.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2001:&lt;/strong&gt; “ARS Poetica#10,001: Manuel Ocampo's Abstraction as Subversion”&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2001e-5.shtml"&gt;http://www.oovrag.com/essays/essay2001e-5.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, July 2002: &lt;/strong&gt;"Stephanie Syjuco: Art as 'Special Tasks Involving Attention'"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2002b-7.shtml"&gt;http://www.oovrag.com/essays/essay2002b-7.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, January 2003: &lt;/strong&gt;"Overcoming Aesthetic Apartheid (Cristina Querrer)"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2003a-3.shtml"&gt;http://www.oovrag.com/essays/essay2003a-3.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;: April 2003: &lt;/strong&gt;"Santiago Bose: Behind the Emptied Page"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2003b-9.shtml"&gt;http://www.oovrag.com/essays/essay2003b-9.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, March 2004: &lt;/strong&gt;"A Meditation on Identity (Mail Order Brides)"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2004a-6.shtml"&gt;http://www.oovrag.com/essays/essay2004a-6.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, April 2005: &lt;/strong&gt;"John Patrick McKenzie: Drawing Words to Transcend Definitions nad Make Words More Meaningful" &lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2005b-6b.shtml"&gt;http://www.oovrag.com/essays/essay2005b-6b.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, June 2005: &lt;/strong&gt;"Emmy Catedral's Invitation to Her 'Dances in the Dark'"&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2005c-6.shtml"&gt;http://www.oovrag.com/essays/essay2005c-6.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, August 2006:&lt;/strong&gt; "Ay, Nako!! Thomas Fink's Visual Poetry: The Hay(na)ku Paintings"&lt;br /&gt;AT: &lt;a href="http://ourownvoice.com/essays/essay2006b-6b.shtml"&gt;http://ourownvoice.com/essays/essay2006b-6b.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, May 2007:&lt;/strong&gt; "List(ing) Poem: Towards the New Filipino Society"&lt;br /&gt;AT: &lt;a href="http://www.ourownvoice.com/essays/essay2007a-8.shtml"&gt;http://www.ourownvoice.com/essays/&lt;br /&gt;essay2007a-8.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2008: &lt;/strong&gt;"Remy "Mima" Cabacungan:&lt;br /&gt;After Postmodernism Comes Post-Buttonism"&lt;br /&gt;AT: &lt;a href="http://www.ourownvoice.com/essays/essay2008c-3.shtml"&gt;http://www.ourownvoice.com/essays/essay2008c-3.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;ReviewNY&lt;/em&gt;, Dec. 1, 2000: &lt;/strong&gt;"Susan Bee: New Paintings, Artists' Books"&lt;br /&gt;AT: &lt;a href="http://epc.buffalo.edu/authors/bee/reviews/tabios.html"&gt;http://epc.buffalo.edu/authors/bee/reviews/&lt;br /&gt;tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sidereality &lt;/em&gt;(Volume 2, Issue 4, October-December, 2003): &lt;/strong&gt;"Edward del Rosario Invites You to His Interior"&lt;br /&gt;AT: &lt;a href="http://www.sidereality.com/volume2issue4/reviewsv2n4/edwarddelrosario.htm"&gt;http://www.sidereality.com/&lt;br /&gt;volume2issue4/reviewsv2n4/edwarddel&lt;br /&gt;rosario.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;XConnect&lt;/em&gt;, Vol 1, No. 3: &lt;/strong&gt;“Osami Tanaka, The Flesh of His Gestures”&lt;br /&gt;AT: &lt;a href="http://tech1.dccs.upenn.edu/~xconnect/volume1/i3/word/et.html"&gt;http://tech1.dccs.upenn.edu/&lt;br /&gt;~xconnect/volume1/i3/word/et.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728473386728196?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728473386728196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728473386728196'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/art-essays.html' title='ART ESSAYS'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728487975898591</id><published>2008-03-17T17:16:00.000-07:00</published><updated>2011-05-11T09:02:17.433-07:00</updated><title type='text'>REVIEWERS &amp; OTHERS ON THE CHATELAINE'S WORKS</title><content type='html'>[N.B. Other book reviews are posted on the &lt;a href="http://goodchatty.blogspot.com/"&gt;CHATTY GOODS Blog&lt;/a&gt;.] &lt;br /&gt;&lt;br /&gt;&lt;em&gt;(Updated 5/11/2011. Format to be publisher (in alphabetical order) and date, followed by review's' title.)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;8 RED GATES&lt;/em&gt;&lt;/strong&gt;, May, 2011: "Eileen Tabios: A Lady of Words"&lt;br /&gt;AT: &lt;a href="http://www.8redgates.com/Eileen_Tabios.html"&gt;&lt;strong&gt;http://www.8redgates.com/Eileen_Tabios.html&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Abolone&lt;/em&gt;, Aug. 12, 2003: &lt;/strong&gt;Untitled post [re. &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;Reproductions of the Empty Flagpole&lt;/em&gt;&lt;/a&gt;] by Li Bloom&lt;br /&gt;AT: &lt;a href="http://abolone.blogspot.com/2003_08_10_abolone_archive.html#106066573572266195"&gt;http://abolone.blogspot.com/2003_08_10_abolone&lt;br /&gt;_archive.html#106066573572266195&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Companion Piece&lt;/em&gt;, May 3, 2009:&lt;/strong&gt; "translations"&lt;br /&gt;AT: &lt;a href="http://acompanionpiece.wordpress.com/2009/05/03/translations/"&gt;http://acompanionpiece.wordpress.com/&lt;br /&gt;2009/05/03/translations/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ahadada&lt;/em&gt;, Nov. 4, 2009:&lt;/strong&gt; Review of &lt;em&gt;Footnotes to Algebra &lt;/em&gt;by Jesse Glass&lt;br /&gt;AT:  &lt;a href="http://www.ahadadabooks.com/component/option,com_jd-wp/Itemid,28/p,889/"&gt;http://www.ahadadabooks.com/component/&lt;br /&gt;option,com_jd-wp/Itemid,28/p,889/ &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ahadada Books&lt;/em&gt;, Jan. 28, 2009:&lt;/strong&gt; Jesse Glass reviews &lt;em&gt;NOVEL CHATELAINE&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://www.ahadadabooks.com/component/option,com_jd-wp/Itemid,28/p,776/"&gt;http://www.ahadadabooks.com/component/option,com_jd-wp/Itemid,28/p,776/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ahadada Books&lt;/em&gt;, May 2, 2005: &lt;/strong&gt;“Eileen Tabios: "Warm" Vs. "Cold" Experimentalism” (a review of &lt;a href="http://marshhawkpress.org/tabios2.htm"&gt;&lt;em&gt;I Take Thee, English, For My Beloved&lt;/em&gt;&lt;/a&gt;) by Jesse Glass&lt;br /&gt;AT: &lt;a href="http://www.sendecki.com/ahadada/archives/2005/05/02/eileen_tabios_warm_vs_cold_experimentalism.php"&gt;http://www.sendecki.com/ahadada/&lt;br /&gt;archives/2005/05/02/eileen_tabios_warm_vs&lt;br /&gt;_cold_experimentalism.php&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ahadada Books Author Page (2006)&lt;/strong&gt;&lt;br /&gt;AT: &lt;a href="http://www.ahadadabooks.com/index.php?option=com_content&amp;task=view&amp;id=18&amp;Itemid=31"&gt;http://www.ahadadabooks.com/index.php?&lt;br /&gt;option=com_content&amp;task=view&amp;id=18&amp;Itemid=31&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ahadada Books&lt;/em&gt;, May 29, 2006: &lt;/strong&gt;"&lt;em&gt;Dredging For Atlantis&lt;/em&gt;. Some Close-Up Magic From Eileen Tabios "&lt;br /&gt;AT: &lt;a href="http://www.ahadadabooks.com/component/option,com_jd-wp/Itemid,28/p,338/"&gt;http://www.ahadadabooks.com/component/&lt;br /&gt;option,com_jd-wp/Itemid,28/p,338/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ahadada Books&lt;/em&gt;, Dec. 23, 2006: &lt;/strong&gt;"Eileen Tabios: The Secret Lives of Punctuations, Vol. 1—Received and Recommended"&lt;br /&gt;AT: &lt;a href="http://www.ahadadabooks.com/component/option,com_jd-wp/Itemid,28/p,437/"&gt;http://www.ahadadabooks.com/component/&lt;br /&gt;option,com_jd-wp/Itemid,28/p,437/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ahadada Books, Sept. 2007:&lt;/strong&gt; Jesse Glass reviews &lt;a href="http://marshhawkpress.org/tabios3.htm"&gt;&lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://www.ahadadabooks.com/component/option,com_jd-wp/Itemid,28/p,580/ "&gt;http://www.ahadadabooks.com/&lt;br /&gt;component/option,com_jd-wp/Itemid,28/p,580/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Alex Maskara's Philippine Fiction Site&lt;/em&gt;: &lt;/strong&gt;Review of &lt;em&gt;Ecstatic Mutations&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://www.alexmaskara.com/patalstas.html"&gt;http://www.alexmaskara.com/patalstas.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Amazon&lt;/em&gt;, May 28, 2010:&lt;/strong&gt; Review of &lt;em&gt;Nota Bene Eiswein &lt;/em&gt;by Grady Harp&lt;br /&gt;AT: &lt;a href="http://www.amazon.com/review/R2LDQCY1BOFYCM/ref=cm_cr_rdp_perm"&gt;http://www.amazon.com/review/R2LDQCY1BOFYCM/ref=cm_cr_rdp_perm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Amazon&lt;/em&gt;, April, 2010:&lt;/strong&gt; Review of &lt;em&gt;THE THORN ROSARY &lt;/em&gt;by Grady Harp&lt;br /&gt;AT: &lt;a href="http://www.amazon.com/review/R3NDO9FGJAV385/ref=cm_cr_rdp_perm"&gt;http://www.amazon.com/review/R3NDO9FGJAV385/ref=cm_cr_rdp_perm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;AMERICAN BOOK REVIEW &lt;/em&gt;#29, 2008:&lt;/strong&gt; "Directing The Dream" (review of &lt;a href="http://marshhawkpress.org/tabios3.htm"&gt;&lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;/a&gt;) by Fred Muratori&lt;br /&gt;AT: &lt;a href="http://americanbookreview.org/PDF/LineOnline/Issue29_V6_LineOnLine.pdf"&gt;http://americanbookreview.org/PDF/&lt;br /&gt;LineOnline/Issue29_V6_LineOnLine.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ariadne Unst&lt;/em&gt;, June 17, 2007:&lt;/strong&gt; Review of &lt;em&gt;THE SINGER And Others&lt;/em&gt; (Dusie, 2007)&lt;br /&gt;AT: &lt;a href="http://www.baymoon.com/~ariadne/form/haynaku.tabios.htm#flamenco.review"&gt;http://www.baymoon.com/~ariadne/form/&lt;br /&gt;haynaku.tabios.htm#flamenco.review&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Arras, &lt;/em&gt;1999:&lt;/strong&gt; Review of &lt;em&gt;The Anchored Angel: Selected Writings by Jose Garcia Villa &lt;/em&gt;by Brian Kim Stefans&lt;br /&gt;AT: &lt;a href="http://www.arras.net/the_franks/villa_anchored_angel.htm"&gt;http://www.arras.net/the_franks/&lt;br /&gt;villa_anchored_angel.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Artist Wins The Lotto: On Grief and Creativity, Dec. 4, 2007:&lt;/strong&gt; K. Terumi Shorb on &lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://artistwinsthelotto.blogspot.com/2007/12/on-grief-and-creativity.html"&gt;http://artistwinsthelotto.blogspot.com/&lt;br /&gt;2007/12/on-grief-and-creativity.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Asian-American Poetry&lt;/em&gt;, Dec. 5, 2005:&lt;/strong&gt; "On Eileen Tabios" by Roger Pao&lt;br /&gt;AT: &lt;a href="http://asianamericanpoetry.blogspot.com/2005/12/on-eileen-tabios.html"&gt;http://asianamericanpoetry.blogspot.com/&lt;br /&gt;2005/12/on-eileen-tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Asian Week&lt;/em&gt;, Aug. 30-Sept. 5, 2002: &lt;/strong&gt;"Neela's Lit Picks: &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;Reproductions of the Empty Flagpole&lt;/em&gt;&lt;/a&gt;" by Neela Banerjee&lt;br /&gt;AT: &lt;a href="http://www.asianweek.com/2002_08_30/arts_litpicks.html"&gt;http://www.asianweek.com/2002_08_30/&lt;br /&gt;arts_litpicks.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Asian Week&lt;/em&gt;, Aug. 30 - Sept. 5, 2002: &lt;/strong&gt;"Writing on the Edge" by Neela Banerjee&lt;br /&gt;AT: &lt;a href="http://www.asianweek.com/2002_08_30/arts_interlope.html"&gt;http://www.asianweek.com/&lt;br /&gt;2002_08_30/arts_interlope.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;BagongPinay&lt;/em&gt;, November 2001: &lt;/strong&gt;"New Filipina.com as Performance Art" by Perla Daley&lt;br /&gt;AT: &lt;a href="http://www.newfilipina.com/members/pngayon/01.11/nov-editorial.html"&gt;http://www.newfilipina.com/members/pngayon/&lt;br /&gt;01.11/nov-editorial.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;BagongPinay&lt;/em&gt;, October 2002:&lt;/strong&gt; BagongPinay Book of the Month: Book Review on Eileen Tabios' &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;Reproductions of the Empty Flagpole &lt;/em&gt;&lt;/a&gt;by Perla Ramos Paredes Daly  &lt;br /&gt;AT: &lt;a href="http://newfilipina.com/members/halo/nagbasa/bypinays/tabios-reflections.html"&gt;http://newfilipina.com/members/halo/&lt;br /&gt;nagbasa/bypinays/tabios-reflections.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Barnard College Alumnae Affairs&lt;/em&gt;, January 2003: &lt;/strong&gt;"Alumna in Action"&lt;br /&gt;AT: &lt;a href="http://www.barnard.edu/alum/action/0103tabios.html"&gt;http://www.barnard.edu/alum/action/&lt;br /&gt;0103tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Be Heard: The Thinking Person’s Bookstore&lt;/em&gt;:&lt;/strong&gt; “Black Lightning: Poetry-In-Progress”&lt;br /&gt;AT: &lt;a href="http://www.beheard.com/cgi-bin/beheard/24864.html"&gt;http://www.beheard.com/cgi-bin/beheard/24864.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHARLES BERNSTEIN SYLLABUS for English 111, Experimental Writing Seminar at University of Pennsylvania, Spring 2006:&lt;/strong&gt; Hay(na)ku Sampler by Charles Bernstein&lt;br /&gt;AT: &lt;a href="http://www.writing.upenn.edu/bernstein/syllabi/readings/hay-na-ku.html"&gt;http://www.writing.upenn.edu/bernstein/&lt;br /&gt;syllabi/readings/hay-na-ku.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Blue Fifth Review&lt;/em&gt;, Winter 2007:&lt;/strong&gt; Jeannine Hall Gailey reviews &lt;em&gt;A SLICE OF CHERRY PIE &lt;/em&gt;anthology, Ed. by Ivy Alvarez&lt;br /&gt;AT: &lt;a href="http://www.angelfire.com/zine/bluefifth/Winter2007/Gailey.html"&gt;http://www.angelfire.com/zine/&lt;br /&gt;bluefifth/Winter2007/Gailey.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Blue Fifth Review&lt;/em&gt;, Winter 2006:&lt;/strong&gt; "Wholeness as Possibility: An Art of the Body" [Review of &lt;a href="http://marshhawkpress.org/tabios2.htm"&gt;&lt;em&gt;I Take Thee, English, For My Beloved&lt;/em&gt;&lt;/a&gt;) by Sam Rasnake&lt;br /&gt;AT: &lt;a href="http://www.angelfire.com/zine/bluefifth/Winter2006/Review.html"&gt;http://www.angelfire.com/zine/bluefifth/&lt;br /&gt;Winter2006/Review.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Canadian Literature&lt;/em&gt;: Editorial (Issue No. 163): &lt;/strong&gt;"Asian North America in Transit" by Glen Deer&lt;br /&gt;AT: &lt;a href="http://www.canlit.ca/editorials/edit_163.html"&gt;http://www.canlit.ca/editorials/edit_163.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Canadian Literature: A Quarterly of Criticism and Review&lt;/em&gt;: &lt;/strong&gt;Review of &lt;em&gt;Bold Words: A Century of Asian American Writing &lt;/em&gt;by Shih-Wen Sue Chen &lt;br /&gt;AT: &lt;a href="http://www.canlit.ca/reviews/186/5744_chen.html"&gt;http://www.canlit.ca/reviews/186/5744_chen.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Coffee House Books&lt;/em&gt;: &lt;/strong&gt;"Screaming Monkeys: Critiques of Asian American Images" - Interview with M. Evelina Galang&lt;br /&gt;AT: &lt;a href="http://www.coffeehousepress.com/screamingmonkeysinterview.asp"&gt;http://www.coffeehousepress.com/&lt;br /&gt;screamingmonkeysinterview.asp&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;CORDITE&lt;/em&gt;, Oct. 27, 2007:&lt;/strong&gt; Review of &lt;a href="http://marshhawkpress.org/tabios3.htm"&gt;&lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://www.cordite.org.au/?p=1167"&gt;http://www.cordite.org.au/?p=1167&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Encyclopedia of Modern Asia&lt;/em&gt;&lt;/strong&gt;: "A Brief overview of Philippine Poetry" by Nick Carbo&lt;br /&gt;AT: &lt;a href="http://secretasianman.motime.com/archive/2004-02"&gt;http://secretasianman.motime.com/archive/2004-02&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;EQUANIMITY&lt;/em&gt;, March 28, 2003: &lt;/strong&gt;Untitled post by Jordan Davis&lt;br /&gt;AT: &lt;a href="http://equanimity.blogspot.com/2003_03_23_equanimity_archive.html"&gt;http://equanimity.blogspot.com/&lt;br /&gt;2003_03_23_equanimity_archive.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Exchange Values&lt;/em&gt;, Jan. 15, 2007:&lt;/strong&gt; Tom Beckett Interviews Ernesto Priego&lt;br /&gt;AT: &lt;a href="http://willtoexchange.blogspot.com/2007/01/interview-with-ernesto-priego.html"&gt;http://willtoexchange.blogspot.com/2007/&lt;br /&gt;01/interview-with-ernesto-priego.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;FACTORIAL&lt;/em&gt;:&lt;/strong&gt; ""Poems Form/From The Six Directions"&lt;br /&gt;AT: &lt;a href="http://www.factorial.org/tabios_call.htm"&gt;http://www.factorial.org/tabios_call.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Feminist Review&lt;/em&gt;, Dec. 4, 2007:&lt;/strong&gt; Review of &lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://feministreview.blogspot.com/2007/12/light-sang-as-it-left-your-eyes.html"&gt;http://feministreview.blogspot.com/&lt;br /&gt;2007/12/light-sang-as-it-left-your-eyes.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Feminist Review&lt;/em&gt;, June 10, 2007: &lt;/strong&gt;Review of &lt;em&gt;Dredging For Atlantis&lt;/em&gt; by Vita Foster&lt;br /&gt;AT: &lt;a href="http://feministreview.blogspot.com/2007/06/dredging-for-atlantis.html"&gt;http://feministreview.blogspot.com/2007/&lt;br /&gt;06/dredging-for-atlantis.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Feminist Review&lt;/em&gt;, March 14, 2007:&lt;/strong&gt; Tara Betts reviews &lt;em&gt;The Secret Lives of Punctuations, Vol. I&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://feministreview.blogspot.com/2007/03/secret-lives-of-punctuations-vol-i.html"&gt;http://feministreview.blogspot.com/2007/03/&lt;br /&gt;secret-lives-of-punctuations-vol-i.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;forty-two&lt;/em&gt;, June 2005: &lt;/strong&gt;"'The Estrus Gaze(s)' by Eileen Tabios" by Ivy Alvarez&lt;br /&gt;AT: &lt;a href="http://www.horselesspress.com/42june.html"&gt;http://www.horselesspress.com/42june.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Forum Asia Magazine&lt;/em&gt;, Vol. 2, No.7, October 2004:&lt;/strong&gt; Book Reviews of &lt;em&gt;Pinoy Poetics &lt;/em&gt;and &lt;em&gt;Behind the Blue Canvas&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://www.forumasiamagazine.com/fam/02/06_book.html"&gt;http://www.forumasiamagazine.com/fam/&lt;br /&gt;02/06_book.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;FrontPage Magazine&lt;/em&gt;, May 30, 2005: &lt;/strong&gt;"A Mystic and Tormented Believer" by Steven Schwartz (N.B.  In this article about Philip Lamantia, I am misidentified here as a "Catholic")&lt;br /&gt;AT: &lt;a href="http://www.frontpagemag.com/Articles/ReadArticle.asp?ID=18216&lt;br /&gt;"&gt;http://www.frontpagemag.com/Articles/&lt;br /&gt;ReadArticle.asp?ID=18216&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;November 2006:&lt;/strong&gt; ROASTING THE EDITOR--John Bloomberg-Rissman reviews &lt;em&gt;REPRODUCTIONS OF THE EMPTY FLAGPOLE &lt;/em&gt;by Eileen R Tabios&lt;br /&gt;AT: &lt;a href="http://galatearesurrection4.blogspot.com/2006/11/roasting-editor.html"&gt;http://galatearesurrection4.blogspot.com/2006/&lt;br /&gt;11/roasting-editor.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;March 2006:&lt;/strong&gt; Yvonne Hortillo reviews &lt;em&gt;The First Hay(na)ku Anthology&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://galatearesurrection.blogspot.com/2006/03/first-haynaku-anthology-ed-by-jean.html"&gt;http://galatearesurrection.blogspot.com/2006/&lt;br /&gt;03/first-haynaku-anthology-ed-by-jean.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;March 2006:&lt;/strong&gt;  Abigail Licad reviews &lt;em&gt;Pinoy Poetics&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://galatearesurrection.blogspot.com/2006/03/pinoy-poetics-ed-by-nick-carbo.html"&gt;http://galatearesurrection.blogspot.com/2006/&lt;br /&gt;03/pinoy-poetics-ed-by-nick-carbo.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2006:&lt;/strong&gt;  Rochita Loenen-Ruiz reviews &lt;em&gt;Pinoy Poetics&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://galatearesurrection2.blogspot.com/2006/05/pinoy-poetics-edited-by-nick-carbo.html"&gt;http://galatearesurrection2.blogspot.com/2006&lt;br /&gt;/05/pinoy-poetics-edited-by-nick-carbo.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GUNGHAGGISFATCHOY&lt;/em&gt;:&lt;/strong&gt; "REVIEW: North American Asians Write Poetry, or Thank You, Canada, For Letting Us Land Our Planes"&lt;br /&gt;AT: &lt;a href="http://www.gunghaggisfatchoy.com/blog/_archives/2005/4/4/552754.html"&gt;http://www.gunghaggisfatchoy.com/blog/&lt;br /&gt;_archives/2005/4/4/552754.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GungHaggisFatChoy&lt;/em&gt;, April 2005:&lt;/strong&gt; "Asian American poets celebrate in Vancouver with ACWW"&lt;br /&gt;AT: &lt;a href="http://www.gunghaggisfatchoy.com/blog/_archives/2005/4/4/552754.html"&gt;http://www.gunghaggisfatchoy.com/&lt;br /&gt;blog/_archives/2005/4/4/552754.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gura's Blog&lt;/em&gt;, Sept. 18, 2008:&lt;/strong&gt; Engagement with &lt;em&gt;The Blind Chatelaine's Keys&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://gura.blogspot.com/2008/09/blind-chatelaines-keys.html"&gt;http://gura.blogspot.com/2008/09/&lt;br /&gt;blind-chatelaines-keys.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Gustavus Myers Center for the Study of Bigotry and Human Rights&lt;/em&gt;&lt;/strong&gt;: 2004 Award Winners (&lt;em&gt;Screaming Monkeys&lt;/em&gt;)&lt;br /&gt;AT: &lt;a href="http://www.myerscenter.org/pages/04winners.htm"&gt;http://www.myerscenter.org/pages/04&lt;br /&gt;winners.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Haruah: Breath of Heaven&lt;/em&gt;, May 23, 2006:&lt;/strong&gt; "Hay(na)ku Game Results"&lt;br /&gt;AT: &lt;a href="http://www.haruah.com/Forum/viewtopic.php?p=2584&amp;sid=59dd87d1d05f0ac8ab84b9b67b401929"&gt;http://www.haruah.com/Forum/viewtopic.ph&lt;br /&gt;p?p=2584&amp;sid=59dd87d1d05f0ac8ab84b9b67b401929&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;JACKET &lt;/em&gt;(2009):&lt;/strong&gt; Review by Grace Ocasio of &lt;em&gt;NOTA BENE EISWEIN&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/37/r-tabios-rb-ocasio.shtml"&gt;http://jacketmagazine.com/37/&lt;br /&gt;r-tabios-rb-ocasio.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;JACKET &lt;/em&gt;(2008): Review by Anny Ballardini of &lt;em&gt;I TAKE THEE, ENGLISH, FOR MY BELOVED &lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/35/r-tabios-rb-ballardini.shtml"&gt;http://jacketmagazine.com/35/&lt;br /&gt;r-tabios-rb-ballardini.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;JACKET&lt;/em&gt; (October 2006):&lt;/strong&gt; Review by Thomas Fink of &lt;a href="http://secretpunctuations.blogspot.com"&gt;&lt;em&gt;THE SECRET LIVES OF PUNCTUATIONS, VOL. I &lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/31/fink-tabios.html"&gt;http://jacketmagazine.com/31/fink-tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;JACKET 29&lt;/em&gt;, April 2006: &lt;/strong&gt;Review of Paolo Javier's &lt;em&gt;60 lv bo(e)mbs &lt;/em&gt;by Thomas Fink&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/29/fink-javier.html"&gt;http://jacketmagazine.com/29/fink&lt;br /&gt;-javier.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JOAN ZIMMERMAN (2006):&lt;/strong&gt; "Poetry Form -- The Hay(na)ku: a word-count form" by Joan Zimmerman&lt;br /&gt;AT: &lt;a href="http://www.baymoon.com/~ariadne/form/haynaku.htm"&gt;http://www.baymoon.com/~ariadne/form/&lt;br /&gt;haynaku.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;JOAN ZIMMERMAN&lt;/em&gt;:&lt;/strong&gt; "Interview with jean Vengua, inaugural anthologist of the Hay(na)ku, a 21st century form" by Ariadne Unst&lt;br /&gt;AT: &lt;a href="http://www.baymoon.com/~ariadne/form/haynaku.vengua.htm"&gt;http://www.baymoon.com/~ariadne/form/haynaku.&lt;br /&gt;vengua.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Kathang-Pinay&lt;/em&gt;, June 1, 2005: &lt;/strong&gt;Untitled post [re. &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;Reproductions of the Empty Flagpole&lt;/em&gt;&lt;/a&gt;]" by Leny M. Strobel&lt;br /&gt;AT: &lt;a href="http://kathang-pinay.blogspot.com/2005_06_01_kathang-pinay_archive.html"&gt;http://kathang-pinay.blogspot.com/2005_06_01_&lt;br /&gt;kathang-pinay_archive.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Kelsey Street Blog&lt;/em&gt;, May 12, 2010:&lt;/strong&gt; Coverage of Small Press Traffic Reading by Jai Arun Ravine&lt;br /&gt;AT: &lt;a href="http://www.kelseyst.com/news/2010/05/12/small-press-traffic-reading-may-7-susan-gevirtz-and-eileen-tabios-on-empires-and-community/"&gt;http://www.kelseyst.com/news/2010/05/12/&lt;br /&gt;small-press-traffic-reading-may-7-susan-gevirtz-&lt;br /&gt;and-eileen-tabios-on-empires-and-community/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Library Journal&lt;/em&gt;, 2000: &lt;/strong&gt;Review of &lt;em&gt;Babaylan &lt;/em&gt;by Rene Perez-Lopez&lt;br /&gt;AT: &lt;a href="http://search.barnesandnoble.com/booksearch/isbnInquiry.asp?userid=xD6DvDQCFt&amp;isbn=1879960591&amp;itm=6"&gt;http://search.barnesandnoble.com/booksearch/&lt;br /&gt;isbnInquiry.asp?userid=xD6DvDQCFt&amp;isbn&lt;br /&gt;=1879960591&amp;itm=6&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Listen &amp; Be Heard&lt;/em&gt;, Jan. 11, 2006 and &lt;em&gt;FILIPINA VERITAS&lt;/em&gt;, Jan. 8, 2006: &lt;/strong&gt;Book Review for &lt;em&gt;The First Hay(na)ku Anthology&lt;/em&gt; by Annabelle Udo&lt;br /&gt;AT: &lt;a href="http://filipinaveritas.blogspot.com/2006/01/book-review-first-haynaku-anthology.html"&gt;http://filipinaveritas.blogspot.com/2006/01/&lt;br /&gt;book-review-first-haynaku-anthology.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;LITERARY HISTORY:&lt;/em&gt;&lt;/strong&gt; "Filipino American Literature/Authors" Edited by Jean Vengua&lt;br /&gt;AT: &lt;a href="http://www.literaryhistory.com/20thC/Groups/Filipino.htm"&gt;http://www.literaryhistory.com/&lt;br /&gt;20thC/Groups/Filipino.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Litter Magazine&lt;/em&gt;, March 2010:&lt;/strong&gt; Review of &lt;a href="http://marshhawkpress.org/tabios4.htm"&gt;&lt;strong&gt;&lt;em&gt;THE THORN ROSARY&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://www.leafepress.com/litter2/ibardaloza/ibardaloza.html"&gt;http://www.leafepress.com/litter2&lt;br /&gt;/ibardaloza/ibardaloza.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;LITTERBUG&lt;/em&gt;, April 9, 2010:&lt;/strong&gt; Appreciation of &lt;em&gt;I TAKE THEE, ENGLISH, FOR MY BELOVED &lt;/em&gt;and &lt;em&gt;THE THORN ROSARY &lt;/em&gt;by Alan Baker&lt;br /&gt;AT: &lt;a href="http://alan-baker.blogspot.com/2010/04/eileen-tabios.html"&gt;http://alan-baker.blogspot.com&lt;br /&gt;/2010/04/eileen-tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;LYRICISM BLOG&lt;/em&gt;: Reviews of &lt;em&gt;POST BLING BLING &lt;/em&gt;by Andrea Baker&lt;/strong&gt;&lt;br /&gt;At: &lt;a href="http://andreabaker.blogspot.com/2006/12/i-do-want-to-talk.html"&gt;http://andreabaker.blogspot.com/2006/&lt;br /&gt;12/i-do-want-to-talk.html&lt;/a&gt;&lt;br /&gt;and&lt;br /&gt;&lt;a href="http://andreabaker.blogspot.com/2006/12/christmas-is-stressing-me-out.html"&gt;http://andreabaker.blogspot.com/2006/&lt;br /&gt;12/christmas-is-stressing-me-out.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MaArte ka ba?: &lt;/em&gt;&lt;/strong&gt;"Anchored Angel: Jose Garcia Villa" by Erna Hernandez&lt;br /&gt;AT: &lt;a href="http://www.maarte.org/articles/article.php?article=litVilla.html"&gt;http://www.maarte.org/articles/article.php?&lt;br /&gt;article=litVilla.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Marsh Hawk Press Blog&lt;/em&gt;, May 6, 2009: &lt;/strong&gt;Athena Clark and Neliza Abad on "Helen"&lt;br /&gt;AT: &lt;a href="http://mhpress.blogspot.com/2009_05_01_archive.html#8784257033147763626#8784257033147763626"&gt;http://mhpress.blogspot.com/&lt;br /&gt;2009_05_01_archive.html#&lt;br /&gt;8784257033147763626#8784257033147763626&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Marsh Hawk Press Blog, Sept. 2007&lt;/strong&gt;: Burt Kimmelman Introduces &lt;a href="http://marshhawkpress.org/tabios3.htm"&gt;&lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://mhpress.blogspot.com/2007_09_01_archive.html#8509809001109599065#8509809001109599065"&gt;http://mhpress.blogspot.com/&lt;br /&gt;2007_09_01_archive.html#&lt;br /&gt;8509809001109599065#8509809001109599065&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MELUS&lt;/em&gt;, Fall 1999: &lt;/strong&gt;Review of &lt;em&gt;Flippin': Filipinos on America &lt;/em&gt;by Leonard Casper&lt;br /&gt;AT: &lt;a href="http://www.findarticles.com/p/articles/mi_m2278/is_3_24/ai_62350914"&gt;http://www.findarticles.com/p/articles/&lt;br /&gt;mi_m2278/is_3_24/ai_62350914&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MELUS&lt;/em&gt;, Spring 2004: &lt;/strong&gt;Review of &lt;em&gt;My Romance &lt;/em&gt;by Thomas Fink&lt;br /&gt;AT: &lt;a href="http://www.findarticles.com/p/articles/mi_m2278/is_1_29/ai_n6063682"&gt;http://www.findarticles.com/p/articles/&lt;br /&gt;mi_m2278/is_1_29/ai_n6063682&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MELUS&lt;/em&gt;, Spring 2004: &lt;/strong&gt;Review of Luis Cabalquinto's &lt;em&gt;BRIDGEABLE SHORES&lt;/em&gt;, Ed. Eileen Tabios by Lara Stapleton&lt;br /&gt;AT: &lt;a href="http://www.findarticles.com/p/articles/mi_m2278/is_1_29/ai_n6063681"&gt;http://www.findarticles.com/p/articles/&lt;br /&gt;mi_m2278/is_1_29/ai_n6063681&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Midwest Book Review &lt;/em&gt;([November], 2007) and Laurel Johnson's Blog, Sept. 27, 2007:&lt;/strong&gt; Book Review of &lt;a href="http://marshhawkpress.org/tabios3.htm"&gt;&lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://laureljohnsonblogs.blogspot.com/2007/09/eileen-r-tabios-latest-book.html"&gt;http://laureljohnsonblogs.blogspot.com/&lt;br /&gt;2007/09/eileen-r-tabios-latest-book.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Midwest Book Review &lt;/em&gt;(January 2007):&lt;/strong&gt; Book Review of &lt;a href="http://dredgingforatlantis.blogspot.com"&gt;&lt;em&gt;Dredging For Atlantis&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://dredgingforatlantis.blogspot.com/2006/11/midwest-book-review.html"&gt;http://dredgingforatlantis.blogspot.com/&lt;br /&gt;2006/11/midwest-book-review.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MidWest Book Review &lt;/em&gt;(April 2006): Book Review of &lt;em&gt;Menage a Trois With the 21st Century&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;AT: &lt;a href="http://midwestbookreview.com/mbw/apr_06.htm#laurel"&gt;http://midwestbookreview.com/mbw/apr_06.htm#laurel&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MidWest Book Review&lt;/em&gt;, July 1, 2006&lt;/strong&gt;: Book Review of &lt;em&gt;The Secret Lives of Punctuations, Vol. I&lt;/em&gt; &lt;br /&gt;AT: &lt;a href="http://midwestbookreview.com/mbw/jul_06.htm#laurel"&gt;http://midwestbookreview.com/mbw/jul_06.htm#laurel&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Mischievoice&lt;/em&gt;, March 10, 2010:&lt;/strong&gt; Review of &lt;a href="http://meritagepress.blogspot.com/2010/02/haynaku-for-haiti.html"&gt;Hay(na)ku for Haiti &lt;/a&gt;by Lars Palm&lt;br /&gt;AT: &lt;a href="http://larspalm.wordpress.com/2010/03/10/reading-haiti/"&gt;http://larspalm.wordpress.com/2010/03/10/reading-haiti/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Moonrabbit Blues&lt;/em&gt;:&lt;/strong&gt; &lt;em&gt;Black Lightning&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://www.angelfire.com/wy/heartmountain/bookstore.html"&gt;http://www.angelfire.com/wy/heartmountain/&lt;br /&gt;bookstore.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, April 2008:&lt;/strong&gt; Review of &lt;a href="http://marshhawkpress.org/tabios2.htm"&gt;&lt;em&gt;I Take Thee, English, For My Beloved&lt;/em&gt;&lt;/a&gt; by Aileen Ibardaloza&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/bliss.htm"&gt;http://www.moriapoetry.com/bliss.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, Vol. 7, Issue 3 &amp; 4, Winter and Spring 2005:&lt;/strong&gt;&lt;br /&gt;"Making Visible the Invisible: &lt;em&gt;Pinoy Poetics&lt;/em&gt;" by Veronica Montes&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/montes.html"&gt;http://www.moriapoetry.com/montes.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;NCCA: About Culture and Arts&lt;/em&gt;, 2002: &lt;/strong&gt;"The Country's Literary Produce for 2000" by Bienvenido Lumbera&lt;br /&gt;AT: &lt;a href="http://www.ncca.gov.ph/about_cultarts/comarticles.php?artcl_Id=145"&gt;http://www.ncca.gov.ph/about_cultarts/&lt;br /&gt;comarticles.php?artcl_Id=145&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Network News&lt;/em&gt;: National Network for Immigrant and Refugee Rights, 1999: &lt;/strong&gt;"Editorial: Cultures in Fusion" by Arnoldo Garcia&lt;br /&gt;AT: &lt;a href="http://www.nnirr.org/news/archived_netnews/culturesinfusion.htm"&gt;http://www.nnirr.org/news/archived_netnews/&lt;br /&gt;culturesinfusion.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Never Neutral&lt;/em&gt;, Jan. 27, 2009:&lt;/strong&gt; Ernesto Priego on &lt;em&gt;NOVEL CHATELAINE&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://neverneutral.wordpress.com/2009/01/27/theory-of-the-novel/"&gt;http://neverneutral.wordpress.com/2009/01/27/theory-of-the-novel/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Never Neutral&lt;/em&gt;, April 23, 2007: &lt;/strong&gt;Re "THE SINGER And Others" by Ernesto Priego&lt;br /&gt;AT: &lt;a href="http://neverneutral.wordpress.com/2007/04/23/lilacs-out-of-the-dead-land/"&gt;http://neverneutral.wordpress.com/2007/&lt;br /&gt;04/23/lilacs-out-of-the-dead-land/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;New Mystics&lt;/em&gt;, July 23, 2009:&lt;/strong&gt; Joey Madia reviews &lt;em&gt;NOTA BENE EISWEIN&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://newmysticsreviews.blogspot.com/2009/07/review-of-nota-bene-eiswein-by-eileen-r.html"&gt;http://newmysticsreviews.blogspot.com/2009/07/&lt;br /&gt;review-of-nota-bene-eiswein-by-eileen-r.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;New Mystics&lt;/em&gt;, Jan. 2, 2009:&lt;/strong&gt; Joey Madia reviews Reproductions of the Empty Flagpole&lt;br /&gt;AT: &lt;a href="http://newmysticsreviews.blogspot.com/2009/01/poetic-meditation-review-of-eileen.html"&gt;http://newmysticsreviews.blogspot.com/2009/01/&lt;br /&gt;poetic-meditation-review-of-eileen.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Newer Metaphysicals&lt;/em&gt;, April 2007:&lt;/strong&gt; Nicholas Manning on Eileen Tabios' poem "Girl Singing..." in Otoliths magazine&lt;br /&gt;AT: &lt;a href="http://thenewermetaphysicals.blogspot.com/2007/04/new-otoliths.html"&gt;http://thenewermetaphysicals.blogspot.com/&lt;br /&gt;2007/04/new-otoliths.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Okir&lt;/em&gt;, April 22, 2007:&lt;/strong&gt; Re "THE SINGER And Others" by Jean Vengua&lt;br /&gt;AT: &lt;a href="http://okir.wordpress.com/2007/04/22/received/"&gt;http://okir.wordpress.com/2007/&lt;br /&gt;04/22/received/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OTOLITHS&lt;/em&gt;, Jan. 2008:&lt;/strong&gt; Thomas Fink's Review of &lt;em&gt;SILENCES: The Autobiography of Loss&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://the-otolith.blogspot.com/2007/12/thomas-fink-eileen-r.html"&gt;http://the-otolith.blogspot.com/2007&lt;br /&gt;/12/thomas-fink-eileen-r.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnvVoice&lt;/em&gt;, May 2010:&lt;/strong&gt; "Fearless Peerless Kasu-kasuan Poetry" by Joi Barrios&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2010a-1.shtml"&gt;http://www.oovrag.com/essays/essay2010a-1.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt; (Sept. 2001), &lt;em&gt;Pacific Reader Literary Supplement &lt;/em&gt;(1999), and &lt;em&gt;Poetry Flash &lt;/em&gt;(2001):&lt;/strong&gt; Review of &lt;em&gt;The Anchored Angel &lt;/em&gt;by Jean Vengua Gier &lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2001d-3.shtml"&gt;http://www.oovrag.com/essays/essay2001d-3.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, October 2002: &lt;/strong&gt;Review of &lt;em&gt;My Romance &lt;/em&gt;by Leny M. Strobel&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/books/romance.shtml"&gt;http://www.oovrag.com/books/romance.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, October 2002: &lt;/strong&gt;Review of &lt;em&gt;My Romance &lt;/em&gt;by Thomas Fink&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/books/romance.shtml"&gt;http://www.oovrag.com/books/romance.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, July 2004: &lt;/strong&gt;Review of &lt;em&gt;Menage a Trois With the 21st Century&lt;/em&gt; by Michael Wells&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/books/review_menage.htm"&gt;http://www.oovrag.com/books/review_menage.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, July 2004: &lt;/strong&gt;Review of &lt;em&gt;Menage a Trois With the 21st Century &lt;/em&gt;by Murat Nemet-Nejat&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/books/review_menage2.htm"&gt;http://www.oovrag.com/books/review_menage2.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, April 2005: &lt;/strong&gt;"'BEAUTIFUL AMBITION'" TO TAKE ON ENGLISH" -- A Book Review [of &lt;a href="http://marshhawkpress.org/tabios2.htm"&gt;&lt;em&gt;I Take Thee, English, For My Beloved&lt;/em&gt;&lt;/a&gt;] by Guillermo Juan Parra&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/books/2005english.shtml"&gt;http://www.oovrag.com/books/2005english.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, August 2006: &lt;/strong&gt;Review by Laurel Johnson of &lt;a href="http://secretpunctuations.blogspot.com"&gt;&lt;em&gt;THE SECRET LIVES OF PUNCTUATIONS, VOL. I &lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://ourownvoice.com/essays/essay2006b-3.shtml"&gt;http://ourownvoice.com/essays/essay2006b-3.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2008:&lt;/strong&gt; Review by Aileen Ibardaloza of &lt;a href="http://marshhawkpress.org/tabios3.htm"&gt;&lt;em&gt;The Light Sang As It Left Your Eyes&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://www.ourownvoice.com/essays/essay2008c-6a.shtml"&gt;http://www.ourownvoice.com/&lt;br /&gt;essays/essay2008c-6a.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pacific Reader&lt;/em&gt;, Vol. 15, Number 2, 2004: &lt;/strong&gt;Review of &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;Reproductions of the Empty Flagpole &lt;/em&gt;&lt;/a&gt;by Barbara Jane Reyes&lt;br /&gt;AT: &lt;a href="http://bjanepr.blog-city.com/and_now_for_something_positively_positive.htm"&gt;http://bjanepr.blog-city.com/and_now_&lt;br /&gt;for_something_positively_positive.htm&lt;/a&gt;&lt;br /&gt;and reprinted on &lt;em&gt;TMP Poetry&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://www.tmpoetry.com/RevMenu/Reviews/BJR01.pdf"&gt;http://www.tmpoetry.com/RevMenu/Reviews/BJR01.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pantaloons&lt;/em&gt;, Sept. 12, 2007:&lt;/strong&gt; Jack Kimball reviews Tiny Books and Tom Beckett's &lt;em&gt;Steps: A Notebook&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://pantaloons.blogspot.com/2007_09_01_pantaloons_archive.html#7945846382723295675#7945846382723295675"&gt;http://pantaloons.blogspot.com/2007&lt;br /&gt;_09_01_pantaloons_archive.&lt;br /&gt;html#7945846382723295675#7945846382723295675&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Periodico de Poesia&lt;/em&gt;--National Autonomous University of Mexico/Universidad Nacional Autónoma de México, Summer 2007:&lt;/strong&gt; Translating The Hay(na)ku into Spanish&lt;br /&gt;AT: &lt;a href="http://chloe.dgsca.unam.mx/jomrev1/index.php?option=com_content&amp;task=view&amp;id=58&amp;Itemid=48&amp;limit=1&amp;limitstart=3"&gt;http://chloe.dgsca.unam.mx/jomrev1/&lt;br /&gt;index.php?option=com_content&amp;task=view&amp;id&lt;br /&gt;=58&amp;Itemid=48&amp;limit=1&amp;limitstart=3&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Philippine News&lt;/em&gt;, March 28, 2007: &lt;/strong&gt;"Paean to colons and commas" (Review of &lt;em&gt;The Secret Lives of Punctuations, Vol. I&lt;/em&gt;) by Allen Gaborro&lt;br /&gt;AT: &lt;a href="http://www.philippinenews.com/news/view_article.html?article_id=231032ee7d5fed6e0d8bc9914260819d"&gt;http://www.philippinenews.com/news/view_article.html?&lt;br /&gt;article_id=231032ee7d5fed6e0d8bc9914260819d&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Philippine News&lt;/em&gt;, Feb. 16, 2005: &lt;/strong&gt;"Poetry and its arts" by Allen Gaborro&lt;br /&gt;AT: &lt;a href="http://www.philippinenews.com/news/view_article.html?article_id=30602258ca089acf280e9d6bd783426a"&gt;http://www.philippinenews.com/news/view_article.html?&lt;br /&gt;article_id=30602258ca089acf280e9d6bd783426a&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Philippine Post Magazine, &lt;/em&gt;2000:&lt;/strong&gt; "Now For Some Good News: Literature &amp; Culture" By Alfred A. Yuson&lt;br /&gt;AT: &lt;a href="http://www.philpost.com/0700pages/yuson0700.html"&gt;http://www.philpost.com/0700pages/yuson0700.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;PinoyLife&lt;/em&gt;: &lt;/strong&gt;"re: verse Album Review - regarding verse: Considering the How and the What" by Allan Aquino&lt;br /&gt;AT: &lt;a href="http://www.rp63.com/reverse_pinoylife_review.html"&gt;http://www.rp63.com/reverse_pinoylife_review.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry Super Highway Great Poetry Exchange, 2006&lt;/strong&gt;&lt;br /&gt;AT: &lt;a href="http://poetrysuperhighway.com/pshgpe.html"&gt;http://poetrysuperhighway.com/pshgpe.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;P-Ramblings&lt;/em&gt;, May 18, 2005:&lt;/strong&gt; Untitled post [re. &lt;a href="http://marshhawkpress.org/tabios2.htm"&gt;&lt;em&gt;I Take Thee, English, For My Beloved&lt;/em&gt;&lt;/a&gt;] by Bill Allegrezza &lt;br /&gt;AT: &lt;a href="http://allegrezza.blogspot.com/2005/05/i-just-finished-reading-eileen-tabios.html"&gt;http://allegrezza.blogspot.com/2005/05/&lt;br /&gt;i-just-finished-reading-eileen-tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Publisher’s Weekly&lt;/em&gt;, December 2002:&lt;/strong&gt; Review of &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;Reproductions of the Empty Flagpole&lt;/em&gt;&lt;/a&gt;&lt;br /&gt;AT: &lt;a href="http://www.palhbooks.com/tabios.htm"&gt;http://www.palhbooks.com/tabios.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pusod - A Center for Culture, Ecology and Bayan,&lt;/em&gt; Aug. 10, 2002: &lt;/strong&gt;"Poems Form/From the Six Directions"&lt;br /&gt;AT: &lt;a href="http://www.pusod-us.org/events/sixdirections.html"&gt;http://www.pusod-us.org/events/sixdirections.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pusod - A Center for Culture, Ecology and Bayan&lt;/em&gt;: &lt;/strong&gt;"Love Gathers All"&lt;br /&gt;AT: &lt;a href="http://www.pusod-us.org/events/lovegathersall.html"&gt;http://www.pusod-us.org/events/lovegathersall.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Raindancer's Map of Memories&lt;/em&gt;, Jan. 2, 2006: &lt;/strong&gt;"Inspired by Eileen Tabios' essay on Jose Garcia Villa"&lt;br /&gt;AT: &lt;a href="http://rcloenen-ruiz.blogspot.com/2006/01/inspired-by-eileen-tabioss-essay-on.html"&gt;http://rcloenen-ruiz.blogspot.com/2006&lt;br /&gt;/01/inspired-by-eileen-tabioss-essay-on.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Raindancer's Map of Memories&lt;/em&gt;, May 9, 2006: &lt;/strong&gt;"The Secret Lives of Punctuations, Vol. I"&lt;br /&gt;AT: &lt;a href="http://rcloenen-ruiz.blogspot.com/2006/05/secret-lives-of-punctuations-vol.html"&gt;http://rcloenen-ruiz.blogspot.com/2006/05/secret-lives-of-punctuations-vol.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Raindancer's Map of Memories&lt;/em&gt;, May 14, 2006: &lt;/strong&gt;"The Secret Lives of Punctuations, Vol. I"&lt;br /&gt;AT: &lt;a href="http://rcloenen-ruiz.blogspot.com/2006/05/ton-vant-hof-comments-on-ron-sillimans.html"&gt;http://rcloenen-ruiz.blogspot.com/2006/05/ton-vant-hof-comments-on-ron-sillimans.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;RAIN TAXI&lt;/em&gt;, Fall 2006:&lt;/strong&gt; Review of POST BLING BLING by Garin Cycholl&lt;br /&gt;AT: &lt;a href="http://raintaxi.com/online/2006fall/tabios.shtml"&gt;http://raintaxi.com/online/2006fall/tabios.shtml&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;README&lt;/em&gt;, Issue No. 2 (2000):&lt;/strong&gt; "A New Twist to Filipino American Decolonization: Eileen Tabios's Poetry" by Leny M. Strobel &lt;br /&gt;AT &lt;a href="http://home.jps.net/~nada/strobel.htm"&gt;http://home.jps.net/~nada/strobel.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Really Bad Movies&lt;/em&gt;, Dec. 3, 2005: &lt;/strong&gt;Untitled Post by Richard Lopez&lt;br /&gt;AT: &lt;a href="http://reallybadmovies.blogspot.com/2005/12/we-spent-day-in-bay-area.html"&gt;http://reallybadmovies.blogspot.com/2005/12/&lt;br /&gt;we-spent-day-in-bay-area.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;RECONFIGURATIONS: A Journal for Poetics &amp; Poetry / Literature &amp; Culture&lt;/em&gt;, November 2008:&lt;/strong&gt; "An Introduction to 'No Sounds' by Karla Kelsey&lt;br /&gt;AT: &lt;a href="http://reconfigurations.blogspot.com/2008/11/karla-kelsey-introduction-to-no-sounds.html"&gt;http://reconfigurations.blogspot.com/2008/&lt;br /&gt;11/karla-kelsey-introduction-to-no-sounds.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ron Silliman Blog&lt;/em&gt;, September 22, 2006:&lt;/strong&gt; "I've been reading Eileen Tabios since ..."&lt;br /&gt;AT: &lt;a href="http://ronsilliman.blogspot.com/2006/09/ive-been-reading-eileen-tabios-since-i.html"&gt;http://ronsilliman.blogspot.com/2006/09&lt;br /&gt;/ive-been-reading-eileen-tabios-since-i.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sam of the Ten Thousand Things&lt;/em&gt;, Feb. 9, 2006:&lt;/strong&gt; "Wholeness as Possibility: An Art of the Body" [review of &lt;a href="http://marshhawkpress.org/tabios2.htm"&gt;&lt;em&gt;I Take Thee, English, For My Beloved&lt;/em&gt;&lt;/a&gt;] by Sam Rasnake&lt;br /&gt;AT: &lt;a href="http://samofthetenthousandthings.blogspot.com/2006/02/wholeness-as-possibility-art-of-body.html"&gt;http://samofthetenthousandthings.blogspot.com&lt;br /&gt;/2006/02/wholeness-as-possibility-art-of-body.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ron Silliman Blog&lt;/em&gt;, June 19, 2003:&lt;/strong&gt; Untitled Blog Entry&lt;br /&gt;AT: &lt;a href="http://"&gt;http://ronsilliman.blogspot.com/2003/06/another-writer-whose-poetry-appears-in.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Ron Silliman Blog&lt;/em&gt;, January 12, 2006:&lt;/strong&gt; Review of The First Hay(na)ku Anthology&lt;br /&gt;AT: &lt;a href="http://ronsilliman.blogspot.com/2006/01/function-of-number-in-poetry-seems.html"&gt;http://ronsilliman.blogspot.com/2006/01/function&lt;br /&gt;-of-number-in-poetry-seems.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;St. Marks Poetry Project Newsletter:&lt;/em&gt;&lt;/strong&gt; Review-Comment on &lt;em&gt;Reproductions of the Empty Flagpole&lt;/em&gt; by Noah Eli Gordon&lt;br /&gt;AT: &lt;a href="http://www.marshhawkpress.org/Tabios1.htm"&gt;http://www.marshhawkpress.org/Tabios1.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sam of Ten Thousand Things blog&lt;/em&gt;. Feb. 9, 2006:&lt;/strong&gt; "Wholeness as Possibility: An Art of the Body" (review of &lt;em&gt;&lt;a href="http://marshhawkpress.org/tabios2.htm"&gt;I Take Thee, English, For My Beloved&lt;/a&gt;&lt;/em&gt;) by Sam Rasnake&lt;br /&gt;AT: &lt;a href="http://samofthetenthousandthings.blogspot.com/2006/02/wholeness-as-possibility-art-of-body.html"&gt;http://samofthetenthousandthings.blogspot.com/&lt;br /&gt;2006/02/wholeness-as-possibility-art-of-body.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;San Francisco Bay Guardian&lt;/em&gt;, Aug. 21, 2002: &lt;/strong&gt;"Write Wedding"&lt;br /&gt;AT: &lt;a href="http://www.sfbg.com/36/47/x_8days.html"&gt;http://www.sfbg.com/36/47/x_8days.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Sidereality &lt;/em&gt;(Volume 2, No. 1, January-March, 2003):&lt;/strong&gt; "Book Review of Eileen Tabios' &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;Reproductions of the Empty Flagpole&lt;/em&gt;&lt;/a&gt;" by Clayton A. Couch&lt;br /&gt;AT: &lt;a href="http://www.sidereality.com/volume2issue1/reviewsv2n1/reviewofreproductionsoftheemptyflagpole.htm"&gt;http://www.sidereality.com/&lt;br /&gt;volume2issue1/reviewsv2n1/review&lt;br /&gt;ofreproductionsoftheemptyflagpole.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Snorkeling Fabulist&lt;/em&gt;, March 2010:&lt;/strong&gt; Re &lt;em&gt;THE THORN ROSARY: Selected Prose Poems &amp; new 1998-2010&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://anitamohan.wordpress.com/2010/03/16/the-thorn-rosary/"&gt;http://anitamohan.wordpress.com/2010/03&lt;br /&gt;/16/the-thorn-rosary/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;SOLUBLE CENSUS&lt;/em&gt;, Dec. 17, 2006:&lt;/strong&gt; Tom Beckett reviews &lt;em&gt;DREDGING FOR ATLANTIS&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://voice-noise.blogspot.com/2006/12/dredging-for-atlantis.html"&gt;http://voice-noise.blogspot.com/2006/12/&lt;br /&gt;dredging-for-atlantis.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;St*rnosedmole&lt;/em&gt;, Jan. 21, 2005: &lt;/strong&gt;Untitled post [re. &lt;em&gt;The Estrus Gaze(s)&lt;/em&gt;] by Reen&lt;br /&gt;AT: &lt;a href="http://www.reenhead.com/molearchives/2005_01_16_molearchives.php#110631790550088676"&gt;http://www.reenhead.com/molearchives&lt;br /&gt;/2005_01_16_molearchives.php&lt;br /&gt;#110631790550088676&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;SOLUBLE CENSUS&lt;/em&gt;, Dec. 17, 2006:&lt;/strong&gt; Tom Beckett reviews Dredging For Atlantis&lt;br /&gt;AT: &lt;a href="http://voice-noise.blogspot.com/2006/12/dredging-for-atlantis.html"&gt;http://voice-noise.blogspot.com/2006/&lt;br /&gt;12/dredging-for-atlantis.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Stride Magazine&lt;/em&gt;, February 2010:&lt;/strong&gt; David Hart reviews &lt;em&gt;1000 Views of 'Girl Singing' &lt;/em&gt;(scroll to bottom of review of Abdellatif Laâbi's &lt;em&gt;Fragments Of A Forgotten Genesis&lt;/em&gt;)&lt;br /&gt;AT: &lt;a href="http://www.stridemagazine.co.uk/Stride%20mag2010/February%202010/LAABI.TURKISH%20review.htm"&gt;http://www.stridemagazine.co.uk/Stride%20mag2010/&lt;br /&gt;February%202010/LAABI.TURKISH%20review.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Tatang's Karinderia &lt;/em&gt;(August 2004):&lt;/strong&gt; Several posts on Eileen Tabios Attempting the Pamankihan&lt;br /&gt;AT: &lt;a href="http://karinderia.blogspot.com/2004_08_01_karinderia_archive.html"&gt;http://karinderia.blogspot.com/2004_08_01_&lt;br /&gt;karinderia_archive.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;TexFiles&lt;/em&gt;, May 30 &amp; 29, 2006:&lt;/strong&gt; Re. &lt;em&gt;The Secret Lives of Punctuations&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://texfiles.blogspot.com/2006_05_01_texfiles_archive.html#114900672270015123"&gt;http://texfiles.blogspot.com/2006_05_01_texfiles&lt;br /&gt;_archive.html#114900672270015123&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Brooklyn Rail&lt;/em&gt;, September 2007:&lt;/strong&gt; Jeffrey Cyphers Wright reviews &lt;em&gt;Dredging For Atlantis&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://www.brooklynrail.org/2007/9/books/poetry-roundup"&gt;http://www.brooklynrail.org/2007&lt;br /&gt;/9/books/poetry-roundup&lt;/a&gt; or &lt;a href="http://angelicpoker.blogspot.com/2007/09/relish-moi.html"&gt;http://angelicpoker.blogspot.com/&lt;br /&gt;2007/09/relish-moi.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Chatelaine's Poetics&lt;/em&gt;, March 12, 2006: &lt;/strong&gt;Rebeka Lembo's Report on the Mexico Launch for &lt;em&gt;The First Hay(na)ku Anthology&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://chatelaine-poet.blogspot.com/2006_03_01_chatelaine-poet_archive.html#114218528350183948"&gt;http://chatelaine-poet.blogspot.com/2006_03_01_&lt;br /&gt;chatelaine-poet_archive.html#114218528350183948&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Huffington Post&lt;/em&gt;, Sept. 11, 2010:&lt;/strong&gt; "What is the State of American Poetry" Interview of Ron Silliman&lt;br /&gt;AT: &lt;a href="http://www.huffingtonpost.com/anis-shivani/state-of-american-poetry_b_706734.html"&gt;http://www.huffingtonpost.com/anis-shivani/state-of-american-poetry_b_706734.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Litterbug Blog by Alan Baker, March 25, 2007:&lt;/strong&gt; Re. &lt;em&gt;Pinoy Poetics&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://alan-baker.blogspot.com/2007/03/pinoy-poetics.html"&gt;http://alan-baker.blogspot.com/2007/03/&lt;br /&gt;pinoy-poetics.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Wily Filipino&lt;/em&gt;, Aug. 23, 2003:&lt;/strong&gt; “Notes on ‘Why Eileen Tabios Bugs Me’” by Sunny Vergara&lt;br /&gt;AT:  &lt;a href="http://www.thewilyfilipino.com/blog/archives/000380.html"&gt;http://www.thewilyfilipino.com/blog/&lt;br /&gt;archives/000380.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Wily Filipino&lt;/em&gt;, June 1, 2004:&lt;/strong&gt; “EILEEN TABIOS'S &lt;a href="http://marshhawkpress.org/tabios1.htm"&gt;&lt;em&gt;REPRODUCTIONS OF THE EMPTY FLAGPOLE&lt;/em&gt;&lt;/a&gt;.” by Sunny Vergara&lt;br /&gt;AT: &lt;a href="http://www.thewilyfilipino.com/blog/archives/000564.html"&gt;http://www.thewilyfilipino.com/blog/&lt;br /&gt;archives/000564.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Tributary&lt;/em&gt;, August 2010:&lt;/strong&gt; Re. &lt;em&gt;THE CHAINED HAY(NA)KU PROJECT &lt;/em&gt;anthology&lt;br /&gt;AT: &lt;a href="http://tribute-airy.blogspot.com/2010/08/chained-haynaku-project_23.html"&gt;http://tribute-airy.blogspot.com/2010/08/chained-haynaku-project_23.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Tributary&lt;/em&gt;, March 6, 2010: &lt;/strong&gt;Re. &lt;em&gt;THE THORN ROSARY: Selected Prose Poems &amp; New 1998-2010&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://tribute-airy.blogspot.com/2010/03/thorn-rosary-by-eileen-r-tabios.html"&gt;http://tribute-airy.blogspot.com/2010/03&lt;br /&gt;/thorn-rosary-by-eileen-r-tabios.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Tributary&lt;/em&gt;, June 1, 2006: &lt;/strong&gt;Re. &lt;em&gt;The Secret Lives of Punctuations, Vol. I&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://tribute-airy.blogspot.com/2006/06/seems-like-when-i-writethink-about.html"&gt;http://tribute-airy.blogspot.com/2006/06&lt;br /&gt;/seems-like-when-i-writethink-about.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;TYMPAN&lt;/em&gt;, 2008:&lt;/strong&gt; Paper on blogs and Listserves by Timothy Yu presented at "Markets: From the Bazaar to eBay" conference University of Toronto's Centre for Diaspora and Transnational Studies, 2008&lt;br /&gt;AT: &lt;a href="http://tympan.blogspot.com/2008/03/blogs-boutiques-and-public-square.html"&gt;http://tympan.blogspot.com/2008/03/&lt;br /&gt;blogs-boutiques-and-public-square.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;TYMPAN&lt;/em&gt;, Aug. 10, 2005: &lt;/strong&gt;"Contests and Communities" by Timothy Yu&lt;br /&gt;AT: &lt;a href="http://tympan.blogspot.com/2005/08/contests-and-communities.html"&gt;http://tympan.blogspot.com/2005/08/&lt;br /&gt;contests-and-communities.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;TypingSpace&lt;/em&gt;, Derek Motion's Blog, March 23, 2007: &lt;/strong&gt;On &lt;em&gt;Menage A Trois With the 21st Century&lt;/em&gt;: "(really muscular stuff - she wrestles with female historical figures (semi-mythical?) &amp; plays their voices off against her own, in the 21st century"&lt;br /&gt;AT: &lt;a href="http://derekmotion.blogspot.com/2007/03/words-written-of-morning.html"&gt;http://derekmotion.blogspot.com/2007&lt;br /&gt;/03/words-written-of-morning.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Massachusetts &lt;em&gt;University Reporter&lt;/em&gt;, May 2002:&lt;/strong&gt; "English Faculty Collaborate on New Asian American Anthology" By Sarah Oktay &lt;br /&gt;AT: &lt;a href="http://www.umb.edu/news/2002news/reporter/may/english.html"&gt;http://www.umb.edu/news/2002news&lt;br /&gt;/reporter/may/english.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;USF Filipino American Arts: Project 2 Artworks:&lt;/strong&gt; "Not For Sale" by Hazel Benigno&lt;br /&gt;AT: &lt;a href="http://filipinoamericanarts.blogspot.com/2008/03/project-2-artworks.html"&gt;http://filipinoamericanarts.blogspot.com/&lt;br /&gt;2008/03/project-2-artworks.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;WordFor/Word, #11&lt;/em&gt;, Winter 2007:&lt;/strong&gt; Review of &lt;em&gt;Not Even Dogs &lt;/em&gt;by Ernesto Priego&lt;br /&gt;AT: &lt;a href="http://www.wordforword.info/vol11/fink.htm"&gt;http://www.wordforword.info/vol11/fink.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728487975898591?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728487975898591'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728487975898591'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/reviewers-others-on-chatelaines-works.html' title='REVIEWERS &amp; OTHERS ON THE CHATELAINE&apos;S WORKS'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728483899827269</id><published>2008-03-17T17:13:00.000-07:00</published><updated>2010-05-17T13:05:10.084-07:00</updated><title type='text'>THE CHATELAINE REVIEWS OTHER POETS' WORKS</title><content type='html'>&lt;em&gt;(Updated 5/17/2010. Format to be publisher (in alphabetical order) and date, followed by review's title.)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Blind Chatelaine's Keys&lt;/em&gt;, Feb. 6, 2009:&lt;/strong&gt; On &lt;em&gt;book left open in the rain &lt;/em&gt;by Barry Schwabsky&lt;br /&gt;AT: &lt;a href="http://angelicpoker.blogspot.com/2009/02/each-page-is-facet-of-perfect-diamond.html"&gt;http://angelicpoker.blogspot.com/2009/02/&lt;br /&gt;each-page-is-facet-of-perfect-diamond.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;BHARAT JIVA &lt;/em&gt;by kari edwards;&lt;em&gt; NO GENDER: REFLECTIONS ON THE LIFE &amp; WORK OF kari edwards&lt;/em&gt;, Eds. Julian Brolaski, erica kaufman &amp; E. Tracy Grinnell &lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/bharat-jiva-by-kari-edwards-no-gender_30.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/bharat-jiva-by-kari-edwards-no-gender_30.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;Genji Monogatari &lt;/em&gt;by Mark Young &lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/genji-monogatari-by-mark-young-2.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/genji-monogatari-by-mark-young-2.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;ntst: the collected pwoermds of Geof Huth &lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/ntst-collected-pwoermds-of-geof-huth.html"&gt;http://galatearesurrection14.blogspot.com/&lt;br /&gt;2010/04/ntst-collected-pwoermds-of-geof-huth.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;Destruction Myth &lt;/em&gt;and &lt;em&gt;Creation Myths &lt;/em&gt;by Mathias Svalina &lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/destruction-myth-and-creation-myths-by.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/destruction-myth-and-creation-myths-by.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;EASY EDEN &lt;/em&gt;by Micah Ballard and Patrick James Dunagan&lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/easy-eden-by-micah-ballard-james.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/easy-eden-by-micah-ballard-james.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;INSIDES SHE SWALLOWED &lt;/em&gt;by Sasha Pimentel Chacon, &lt;em&gt;EASTER SUNDAY &lt;/em&gt;by Barbara Jane Reyes, and &lt;em&gt;Simon J. Ortiz: A Poetic Legacy of Indigenous Continuance&lt;/em&gt;, co-edited by Susan Berry Brill de Ramirez and Evelina Zuni Lucero &lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/publications-by-or-on-sasha-pimentel.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/publications-by-or-on-sasha-pimentel.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;TIME OF SKY / CASTLES IN THE AIR &lt;/em&gt;by Ayane Kawata, Translated by Sawako Nakayasu&lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/time-of-sky-castles-in-air-by-ayane.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/time-of-sky-castles-in-air-by-ayane.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;nineteen hours (radio edit)&lt;/em&gt; by Jim Warner&lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/nineteen-hours-radio-edit-by-jim-wagner.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/nineteen-hours-radio-edit-by-jim-wagner.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;A Musics &lt;/em&gt;by Carrie Hunter &lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/musics-by-carrie-hunter.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/musics-by-carrie-hunter.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #14&lt;/em&gt;, May, 5, 2010:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;The Other Bluebook: On the High Seas of Discovery &lt;/em&gt;by Reme Grefalda &lt;br /&gt;AT: &lt;a href="http://galatearesurrection14.blogspot.com/2010/04/other-bluebook-on-high-seas-of.html"&gt;http://galatearesurrection14.blogspot.com/2010/&lt;br /&gt;04/other-bluebook-on-high-seas-of.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #13&lt;/em&gt;, December 2009:&lt;/strong&gt; Eileen Tabios engages &lt;em&gt;ANALFABETO / AN ALPHABET &lt;/em&gt;by Ellen Baxt&lt;br /&gt;AT: &lt;a href="http://galatearesurrection13.blogspot.com/2009/12/analfabeto-alphabet-by-ellen-baxt.html"&gt;http://galatearesurrection13.blogspot.com/2009/12/&lt;br /&gt;analfabeto-alphabet-by-ellen-baxt.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #13&lt;/em&gt;, December 2009:&lt;/strong&gt; Eileen Tabios engages WATER THE MOON by Fiona Sze-Lorrain&lt;br /&gt;AT: &lt;a href="http://galatearesurrection13.blogspot.com/2009/12/water-moon-by-fiona-sze-lorraine.html"&gt;http://galatearesurrection13.blogspot.com/2009/12/&lt;br /&gt;water-moon-by-fiona-sze-lorraine.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #13&lt;/em&gt;, December 2009:&lt;/strong&gt; Eileen Tabios engages HI HIGHER HYPERBOLE by Nicholas Manning&lt;br /&gt;AT: &lt;a href="http://galatearesurrection13.blogspot.com/2009/12/hi-higher-hyperbole-by-nicholas-manning.html"&gt;http://galatearesurrection13.blogspot.com/2009/12/&lt;br /&gt;hi-higher-hyperbole-by-nicholas-manning.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects #13&lt;/em&gt;, December 2009:&lt;/strong&gt; Eileen Tabios engages TRUST by Liz Waldner&lt;br /&gt;AT: &lt;a href="http://galatearesurrection13.blogspot.com/2009/12/trust-by-liz-waldner.html"&gt;http://galatearesurrection13.blogspot.com/2009/12/&lt;br /&gt;trust-by-liz-waldner.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 12&lt;/em&gt;, May 2009:&lt;/strong&gt; Eileen Tabios engages OBSOLETE—AN ALPHABET OF POEMS INSPIRED BY DEAD WORDS by Katie Haegele &lt;br /&gt;AT: &lt;a href="http://galatearesurrection12.blogspot.com/2009/05/obsolete-by-katie-haegele.html"&gt;http://galatearesurrection12.blogspot.com/2009/&lt;br /&gt;05/obsolete-by-katie-haegele.html&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 12&lt;/em&gt;, May 2009:&lt;/strong&gt; Eileen Tabios engages DISCLOSURE by Dana Teen Lomax&lt;br /&gt;AT:  &lt;a href="http://galatearesurrection12.blogspot.com/2009/05/disclosure-by-dana-teen-lomax.html"&gt;http://galatearesurrection12.blogspot.com/2009/&lt;br /&gt;05/disclosure-by-dana-teen-lomax.html&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 12&lt;/em&gt;, May 2009:&lt;/strong&gt; Eileen Tabios engages PORTRAIT AND DREAM: NEW AND SELECTED POEMS by Bill Berkson&lt;br /&gt;AT: &lt;a href="http://galatearesurrection12.blogspot.com/2009/05/portrait-and-dream-new-and-selected.html"&gt;http://galatearesurrection12.blogspot.com/2009/&lt;br /&gt;05/portrait-and-dream-new-and-selected.html&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 12&lt;/em&gt;, May 2009:&lt;/strong&gt; Eileen Tabios engages OPEN NIGHT by Aaron Lowinger  &lt;br /&gt;AT: &lt;a href="http://galatearesurrection12.blogspot.com/2009/05/open-night-by-aaron-lowinger.html"&gt;http://galatearesurrection12.blogspot.com/2009/&lt;br /&gt;05/open-night-by-aaron-lowinger.html&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 12&lt;/em&gt;, May 2009:&lt;/strong&gt; Eileen Tabios engages LUNCH POEMS by Mark Young and DELTA BLUES by Skip Fox &lt;br /&gt;AT: &lt;a href="http://galatearesurrection12.blogspot.com/2009/05/lunch-poems-by-mark-young-and-delta.html"&gt;http://galatearesurrection12.blogspot.com/2009/&lt;br /&gt;05/lunch-poems-by-mark-young-and-delta.html&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 12&lt;/em&gt;, May 2009:&lt;/strong&gt; Eileen Tabios engages PLAGIARISM/OUTSOURCE by Tan Lin&lt;br /&gt;AT: &lt;a href="http://galatearesurrection12.blogspot.com/2009/05/plagiarismoutsource-by-tan-lin.html"&gt;http://galatearesurrection12.blogspot.com/2009/&lt;br /&gt;05/plagiarismoutsource-by-tan-lin.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 11&lt;/em&gt;, December 2008:&lt;/strong&gt; Eileen Tabios Engages &lt;em&gt;DEMENTIA BLOG &lt;/em&gt;by Susan M. Schultz&lt;br /&gt;AT: &lt;a href="http://galatearesurrection11.blogspot.com/2008/12/dementia-blog-by-susan-m-schultz.html"&gt;http://galatearesurrection11.blogspot.com/2008/&lt;br /&gt;12/dementia-blog-by-susan-m-schultz.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 11&lt;/em&gt;, December 2008: &lt;/strong&gt;Eileen Tabios Engages HALLUCINATING CALIFORNIA by Richard Lopez and Jonathan Hayes&lt;br /&gt;AT: &lt;a href="http://galatearesurrection11.blogspot.com/2008/12/hallucinating-california-by-richard.html"&gt;http://galatearesurrection11.blogspot.com/2008/&lt;br /&gt;12/hallucinating-california-by-richard.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 11&lt;/em&gt;, December 2008:&lt;/strong&gt; Eileen Tabios Engages TORCHWOOD by Jill Magi&lt;br /&gt;AT: &lt;a href="http://galatearesurrection11.blogspot.com/2008/12/torchwood-by-jill-magi.html"&gt;http://galatearesurrection11.blogspot.com/2008/&lt;br /&gt;12/torchwood-by-jill-magi.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 11&lt;/em&gt;, December 2008:&lt;/strong&gt; Eileen Tabios Engages RED by Marilyn R. Rosenberg &lt;br /&gt;AT: &lt;a href="http://galatearesurrection11.blogspot.com/2008/12/red-by-marilyn-r-rosenberg.html"&gt;http://galatearesurrection11.blogspot.com/2008/&lt;br /&gt;12/red-by-marilyn-r-rosenberg.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 10&lt;/em&gt;, July 2008: &lt;/strong&gt;Eileen Tabios engages ENDGAMES by Márton Koppány &lt;br /&gt;AT: &lt;a href="http://galatearesurrection10.blogspot.com/2008/07/endgames-by-mrton-koppny.html"&gt;http://galatearesurrection10.blogspot.com/2008&lt;br /&gt;/07/endgames-by-mrton-koppny.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 10, July 2008&lt;/em&gt;:&lt;/strong&gt; Eileen Tabios engages   &lt;br /&gt;AT: &lt;a href="http://galatearesurrection10.blogspot.com/2008/07/forget-reading-by-anthony-hawley.html"&gt;http://galatearesurrection10.blogspot.com/2008/&lt;br /&gt;07/forget-reading-by-anthony-hawley.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 10&lt;/em&gt;, July 2008:&lt;/strong&gt; Eileen Tabios engages ORANGES &amp; SARDINES, Summer 2008, Vol. 1 Issue, Edited by David Krump, Andy Nicholson, Meghan Punschke and Didi Menendez&lt;br /&gt;AT: &lt;a href="http://galatearesurrection10.blogspot.com/2008/07/oranges-sardines-ed-by-david-krump-andy.html"&gt;http://galatearesurrection10.blogspot.com/2008/&lt;br /&gt;07/oranges-sardines-ed-by-david-krump-andy.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 10&lt;/em&gt;, July 2008:&lt;/strong&gt;  Eileen Tabios engages ORGY IN THE BEEF CLOSET by Michael Koshkin&lt;br /&gt;AT: &lt;a href="http://galatearesurrection10.blogspot.com/2008/07/orgy-in-beef-closet-by-michael-koshkin.html"&gt;http://galatearesurrection10.blogspot.com/2008/&lt;br /&gt;07/orgy-in-beef-closet-by-michael-koshkin.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Galatea Resurrects No. 9&lt;/em&gt;, March 2008: Eileen Tabios engages MAUVE SEA-ORCHIDS by Lila Zemborain, Trans. by Rosa Alcala and Monica de la Torre&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/mauve-sea-orchids-by-lila-zemborain.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/mauve-sea-orchids-by-lila-zemborain.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 9&lt;/em&gt;, March 2008:&lt;/strong&gt; Eileen Tabios engages IMAGINING A BABY by Bob Marcacci&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/imagining-baby-by-bob-marcacci.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/imagining-baby-by-bob-marcacci.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 9,&lt;/em&gt; March 2008:&lt;/strong&gt; Eileen Tabios engages ZAMBOANGUENA by Corrine Fitzpatrick&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/zamboanguena-by-corrine-fitzpatrick.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/zamboanguena-by-corrine-fitzpatrick.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 9,&lt;/em&gt; March 2008:&lt;/strong&gt; Eileen Tabios engages MY NAME IS ESTHER CLARA by Laurel Johnson; a FOURSQUARE SPECIAL EDITION OF FIVE POEMS by Maureen Thorson; and HERE, LOVE by Jess Rowan&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/publications-by-laurel-johnson-maureen.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/publications-by-laurel-johnson-maureen.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 9&lt;/em&gt;, March 2008:&lt;/strong&gt; Eileen Tabios engages AN ARCHITECTURE by Chad Sweeney&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/architecture-by-chad-sweeney.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/architecture-by-chad-sweeney.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 9&lt;/em&gt;, March 2008:&lt;/strong&gt; Eileen Tabios engages CLEAVING by Dion Farquhar&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/cleaving-by-dion-farquhar.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/cleaving-by-dion-farquhar.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 9&lt;/em&gt;, March 2008:&lt;/strong&gt; Eileen Tabios engages 2 POEMS FROM THE BOTTOM OF THE BARREL by Logan Ryan Smith&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/2-poems-from-bottom-of-barrel-by-logan.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/2-poems-from-bottom-of-barrel-by-logan.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Galatea Resurrects No. 9&lt;/em&gt;, March 2008:&lt;/strong&gt; Eileen Tabios engages LIST'N by Karri Kokko&lt;br /&gt;AT: &lt;a href="http://galatearesurrection9.blogspot.com/2008/03/listn-by-karri-kokko.html"&gt;http://galatearesurrection9.blogspot.com/2008/&lt;br /&gt;03/listn-by-karri-kokko.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, March 2008: Eileen Tabios engages THE HEART THAT LIES OUTSIDE THE BODY by Stephanie Lenox &lt;br /&gt;AT: http://galatearesurrection9.blogspot.com/2008/03/heart-that-lies-outside-body-by.html&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, March 2008: Eileen Tabios engages BEHIND THE WHEEL: POEMS ABOUT DRIVING by Janet S. Wong&lt;br /&gt;AT: http://galatearesurrection9.blogspot.com/2008/03/behind-wheel-poems-about-driving-by.html&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, November 2007: Eileen Tabios engages AMIGO WARFARE and LYRICS FROM A DEAD LANGUAGE, both by Eric Gamalinda&lt;br /&gt;AT: http://galatearesurrection8.blogspot.com/2007/11/two-books-by-eric-gamalinda.html&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, November 2007: Eileen Tabios engages WANTON TEXTILES by Reb Livingston and Ravi Shankar&lt;br /&gt;AT: http://galatearesurrection8.blogspot.com/2007/11/wanton-textiles-by-reb-livingston-ravi.html&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, November 2007: Eileen Tabios engages HUMAN SCALE by Michael Kelleher&lt;br /&gt;AT: http://galatearesurrection8.blogspot.com/2007/11/human-scale-by-michael-kelleher.html&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, November 2007: Eileen Tabios engages PUBLIC ACCESS #1, Edited by Nicholas Grider&lt;br /&gt;AT: http://galatearesurrection8.blogspot.com/2007/11/public-access-1-edited-by-nicholas.html&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, November 2007: Eileen Tabios engages FREE by Amanda Laughtland&lt;br /&gt;AT: http://galatearesurrection8.blogspot.com/2007/11/free-by-amanda-laughtland.html&lt;br /&gt;&lt;br /&gt;Galatea Resurrects No. 9, November 2007: Eileen Tabios engages BELOVED INTEGER by Michelle Naka Pierce&lt;br /&gt;AT: http://galatearesurrection8.blogspot.com/2007/11/beloved-integer-by-michelle-naka-pierce.html&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;August 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; the steam sequence &lt;/em&gt;by Carly Sachs&lt;br /&gt;AT: &lt;a href="http://galatearesurrection7.blogspot.com/2007/08/steam-sequence-by-carly-sachs.html"&gt;http://galatearesurrection7.blogspot.com/2007/&lt;br /&gt;08/steam-sequence-by-carly-sachs.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;August 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; BROKEN / OPEN &lt;/em&gt;by Jill Jones&lt;br /&gt;AT: &lt;a href="http://galatearesurrection7.blogspot.com/2007/08/brokenopen-by-jill-jones.html"&gt;http://galatearesurrection7.blogspot.com/2007/&lt;br /&gt;08/brokenopen-by-jill-jones.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;August 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; BELLUM LETTERS &lt;/em&gt;by Michelle Detorie&lt;br /&gt;AT: &lt;a href="http://galatearesurrection7.blogspot.com/2007/08/bellum-letters-by-michelle-detorie.html"&gt;http://galatearesurrection7.blogspot.com/2007/&lt;br /&gt;08/bellum-letters-by-michelle-detorie.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;August 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; ERRATUM to A SPY IN THE HOUSE OF YEARS (LEVIATHAN PRESS, 2001) &lt;/em&gt;by Giles Goodland &lt;br /&gt;AT: &lt;a href="http://galatearesurrection7.blogspot.com/2007/08/erratum-to-spy-in-house-of-years.html"&gt;http://galatearesurrection7.blogspot.com/2007/&lt;br /&gt;08/erratum-to-spy-in-house-of-years.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; POET’S BOOKSHELF: CONTEMPORARY POETS ON BOOKS THAT SHAPED THEIR ART &lt;/em&gt;Edited by Peter Davis &lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/poets-bookshelf-edited-by-peter-davis.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/poets-bookshelf-edited-by-peter-davis.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios—and Denise Levertov—review &lt;em&gt;IN A DYBBUK’S RAINCOAT: COLLECTED POEMS BY BERT MEYERS&lt;/em&gt; Edited by Morton Marcus and Daniel Meyer&lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/in-dybbuks-raincoat-by-bert-meyers.htmls "&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/in-dybbuks-raincoat-by-bert-meyers.htmls &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;WALKING THEORY&lt;/em&gt; by Stephen Vincent&lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/walking-theory-by-stephen-vincent.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/walking-theory-by-stephen-vincent.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;THE IMMACULATE AUTOPSY &lt;/em&gt;by Todd Melicker &lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/immaculate-autopsy-by-todd-melicker.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/immaculate-autopsy-by-todd-melicker.html&lt;/a&gt;&lt;br /&gt;  &lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;FORTY-FIVE &lt;/em&gt;by Frieda Hughes &lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/forty-five-by-frieda-hughes.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/forty-five-by-frieda-hughes.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;THE JUROR &lt;/em&gt;by George Dawes Green&lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/juror-by-george-dawes-green.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/juror-by-george-dawes-green.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;WHAT'S THE MATTER &lt;/em&gt;by Jordan Stempleman&lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/whats-matter-by-jordan-stempleman.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/whats-matter-by-jordan-stempleman.html&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;LITTLE WAR MACHINE &lt;/em&gt;by M Sarki &lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/little-war-machine-by-m-sarki.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/little-war-machine-by-m-sarki.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;PARTS OF THE JOURNAL: NIGHT &lt;/em&gt;by Richard Lopez&lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/parts-of-journal-night-by-richard-lopez.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/parts-of-journal-night-by-richard-lopez.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;May 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;POETRY DAILY ESSENTIALS 2007 &lt;/em&gt;Edited by Diane Boller and Don Selby &lt;br /&gt;AT: &lt;a href="http://galatearesurrection6.blogspot.com/2007/05/poetry-daily-essentials-2007-edited-by.html"&gt;http://galatearesurrection6.blogspot.com/2007/&lt;br /&gt;05/poetry-daily-essentials-2007-edited-by.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;February 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; FIRST ADVENTURES OF COL AND SEM &lt;/em&gt; by Dan Waber&lt;br /&gt;AT: &lt;a href="http://galatearesurrection5.blogspot.com/2007/02/first-adventures-of-col-and-sem-by-dan.html"&gt;http://galatearesurrection5.blogspot.com/2007/02/&lt;br /&gt;first-adventures-of-col-and-sem-by-dan.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;February 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; THE ALLEGREZZA FICCIONES  &lt;/em&gt; by Mark Young&lt;br /&gt;AT: &lt;a href="http://galatearesurrection5.blogspot.com/2007/02/allegrezza-ficcione-by-mark-young.html"&gt;http://galatearesurrection5.blogspot.com/2007/02/&lt;br /&gt;allegrezza-ficcione-by-mark-young.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;February 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; WIND IS WIND AND RAIN IS RAIN  &lt;/em&gt; by   Brynne&lt;br /&gt;AT: &lt;a href="http://galatearesurrection5.blogspot.com/2007/02/wind-is-wind-and-rain-is-rain-by.html"&gt;http://galatearesurrection5.blogspot.com/2007/02/&lt;br /&gt;wind-is-wind-and-rain-is-rain-by.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;February 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; BODY OF CRIMSON LEAVES  &lt;/em&gt; by   Celia Homesley&lt;br /&gt;AT: &lt;a href="http://galatearesurrection5.blogspot.com/2007/02/body-of-crimson-leaves-by-celia.html"&gt;http://galatearesurrection5.blogspot.com/2007/02/&lt;br /&gt;body-of-crimson-leaves-by-celia.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;February 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; THE PLANT WATERER AND OTHER THINGS IN COMMON  &lt;/em&gt; by Kathryn Rantala&lt;br /&gt;AT: &lt;a href="http://galatearesurrection5.blogspot.com/2007/02/plant-waterer-by-kathryn-rantala.html"&gt;http://galatearesurrection5.blogspot.com/2007/02/&lt;br /&gt;plant-waterer-by-kathryn-rantala.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;February 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt; THE GRACES &lt;/em&gt; by Elizabeth Treadwell and &lt;em&gt;SONNET&lt;/em&gt; by Matt Hart&lt;br /&gt;AT: &lt;a href="http://galatearesurrection5.blogspot.com/2007/02/graces-by-elizabeth-treadwell-sonnet.html"&gt;http://galatearesurrection5.blogspot.com/2007/02/&lt;br /&gt;graces-by-elizabeth-treadwell-sonnet.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Engagement), &lt;/em&gt;February 2007:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;  OBEYED DILEMMA &lt;/em&gt; by Jukka-Pekka Kervinen&lt;br /&gt;AT: &lt;a href="http://galatearesurrection5.blogspot.com/2007/02/obeyed-dilemma-by-jukka-pekka-kervinen.html"&gt;http://galatearesurrection5.blogspot.com/2007/02/&lt;br /&gt;obeyed-dilemma-by-jukka-pekka-kervinen.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; &lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;November 2006:&lt;/strong&gt; Eileen Tabios reviews &lt;em&gt;SCRAWL &lt;/em&gt;by Susana Gardner&lt;br /&gt;AT: &lt;a href="http://galatearesurrection4.blogspot.com/2006/11/scrawl-by-susana-gardner.html"&gt;http://galatearesurrection4.blogspot.com/2006/&lt;br /&gt;11/scrawl-by-susana-gardner.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;November 2006:&lt;/strong&gt;  Eileen Tabios reviews &lt;em&gt;BOYS, A-Z: A PRIMER &lt;/em&gt;by Dan Waber&lt;br /&gt;AT: &lt;a href="http://galatearesurrection4.blogspot.com/2006/11/boys-z-primer-by-dan-waber.html"&gt;http://galatearesurrection4.blogspot.com/2006/&lt;br /&gt;11/boys-z-primer-by-dan-waber.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;November 2006:&lt;/strong&gt;  Eileen Tabios reviews &lt;em&gt;NO APPOINTMENT NECESSARY &lt;/em&gt;by Thomas Fink and &lt;em&gt;OTAGES &lt;/em&gt;by John Bloomberg-Rissman &lt;br /&gt;AT: &lt;a href="http://galatearesurrection4.blogspot.com/2006/11/no-appointment-necessary-by-thomas.html"&gt;http://galatearesurrection4.blogspot.com/2006/&lt;br /&gt;11/no-appointment-necessary-by-thomas.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;November 2006:&lt;/strong&gt;  Eileen Tabios reviews &lt;em&gt;SIGNED EVEN AS A WAITING &lt;/em&gt;by Paul Klinger &lt;br /&gt;AT: &lt;a href="http://galatearesurrection4.blogspot.com/2006/11/signed-even-as-waiting-by-paul-klinger.html"&gt;http://galatearesurrection4.blogspot.com/2006/&lt;br /&gt;11/signed-even-as-waiting-by-paul-klinger.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;November 2006:&lt;/strong&gt;  Eileen Tabios reviews &lt;em&gt;A PLACE TO STAND &lt;/em&gt;by Jimmy Santiago Baca &lt;br /&gt;AT: &lt;a href="http://galatearesurrection4.blogspot.com/2006/11/place-to-stand-by-jimmy-santiago-baca.html"&gt;http://galatearesurrection4.blogspot.com/2006/&lt;br /&gt;11/place-to-stand-by-jimmy-santiago-baca.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;March 2006: &lt;/strong&gt;Eileen Tabios reviews &lt;em&gt;Transitory &lt;/em&gt;by Jane Augustine&lt;br /&gt;AT: &lt;a href="http://galatearesurrection.blogspot.com/2006/03/transitory-by-jane-augustine.html"&gt;http://galatearesurrection.blogspot.com/2006/&lt;br /&gt;03/transitory-by-jane-augustine.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;March 2006: &lt;/strong&gt;Eileen Tabios presents Poetry Folio by Carl Gottesman&lt;br /&gt;AT: &lt;a href="http://galatearesurrection.blogspot.com/2006/03/featured-poet-carl-gottesman.html"&gt;http://galatearesurrection.blogspot.com/2006/&lt;br /&gt;03/featured-poet-carl-gottesman.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;May 2006:&lt;/strong&gt; Review of &lt;em&gt;MORAINE &lt;/em&gt;by Joanna Fuhrman&lt;br /&gt;AT: &lt;a href="http://galatearesurrection2.blogspot.com/2006/05/moraine-by-joanna-fuhrman_16.html"&gt;http://galatearesurrection2.blogspot.com/2006/05/&lt;br /&gt;moraine-by-joanna-fuhrman_16.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;May 2006: &lt;/strong&gt;Review of &lt;em&gt;RUSTLE OF BAMBOO LEAVES: Selected Haiku and Other Poems &lt;/em&gt;by Victor P. Gendrano&lt;br /&gt;AT: &lt;a href="http://galatearesurrection2.blogspot.com/2006/05/rustle-of-bamboo-leaves-by-victor-p.html"&gt;http://galatearesurrection2.blogspot.com/2006/05/&lt;br /&gt;rustle-of-bamboo-leaves-by-victor-p.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;August 2006: &lt;/strong&gt;Review of &lt;em&gt; INSECT COUNTRY (A)  &lt;/em&gt;by Sawako Nakayasu&lt;br /&gt;AT: &lt;a href="http://galatearesurrection3.blogspot.com/2006/08/insect-country-by-sawako-nakayasu.html"&gt;http://galatearesurrection3.blogspot.com/2006&lt;br /&gt;/08/insect-country-by-sawako-nakayasu.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;August 2006: &lt;/strong&gt;Review of &lt;em&gt; SLIP &lt;/em&gt;by Chris Stackhouse &lt;br /&gt;AT: &lt;a href="http://galatearesurrection3.blogspot.com/2006/08/slip-by-christopher-stackhouse.html"&gt;http://galatearesurrection3.blogspot.com/2006/&lt;br /&gt;08/slip-by-christopher-stackhouse.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;GALATEA RESURRECTS (A Poetry Review), &lt;/em&gt;August 2006: &lt;/strong&gt;Review of &lt;em&gt; IN THE WEAVER’S VALLEY&lt;/em&gt;by William Allegrezza&lt;br /&gt;AT: &lt;a href="http://galatearesurrection3.blogspot.com/2006/08/in-weavers-valley-by-william.html"&gt;http://galatearesurrection3.blogspot.com/2006/&lt;br /&gt;08/in-weavers-valley-by-william.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Jacket 23&lt;/em&gt;, August 2003: &lt;/strong&gt;"Redeeming my faith in Ekphrasis: Eileen Tabios reviews &lt;em&gt;Serious Pink &lt;/em&gt;by Sharon Dolin"&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/23/tabi-dolin.html"&gt;http://jacketmagazine.com/23/tabi-dolin.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Jacket&lt;/em&gt;, October 2004:&lt;/strong&gt; "On the Gift of Basil King’s Devotion: Eileen Tabios reviews four poetry books by Basil King -- &lt;em&gt;Mirage — a poem in 22 sections&lt;/em&gt;; &lt;em&gt;Warp Spasm&lt;/em&gt;; &lt;em&gt;The Complete Miniatures&lt;/em&gt;; and &lt;em&gt;Devotions&lt;/em&gt;&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/26/tabi-king.html"&gt;http://jacketmagazine.com/26/tabi-king.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;JACKET 29&lt;/em&gt;, April 2006: &lt;/strong&gt;Review of &lt;em&gt;The Passion of Phineas Gage &amp; Selected Poems&lt;/em&gt; by Jesse Glass&lt;br /&gt;AT: &lt;a href="http://jacketmagazine.com/29/tabios-glass.html"&gt;http://jacketmagazine.com/29/&lt;br /&gt;tabios-glass.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MORIA POETRY&lt;/em&gt;, Vol. 7, Issue 1, Summer 2004:&lt;/strong&gt;&lt;br /&gt;Review of kari edwards' &lt;em&gt;iduna &lt;/em&gt;(O Books, 2003, $12.00)&lt;br /&gt;AT: &lt;a href="http://www.moriapoetry.com/tabios900.htm"&gt;http://www.moriapoetry.com/tabios900.htm&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Pinoypoets&lt;/em&gt;, June 13, 2003:&lt;/strong&gt; "Review of May poems"&lt;br /&gt;AT: &lt;a href="http://pinoypoetsblog.blogspot.com/2005/06/eileen-tabios-review-of-pinoypoet-may.html"&gt;http://pinoypoetsblog.blogspot.com/2005/06&lt;br /&gt;/eileen-tabios-review-of-pinoypoet-may.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2008 The Poetry Center Book Award goes to Barbara Guest&lt;/strong&gt;&lt;br /&gt;AT: &lt;a href="http://www.sfsu.edu/~poetry/awards/bookaward.html"&gt;http://www.sfsu.edu/~poetry/awards/bookaward.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;TEN&lt;/em&gt;, The Literary Magazine of The Asian American Writers Workshop. Vol. 4, No. 2, Fall 1998: &lt;/strong&gt;Review of John Yau's &lt;em&gt;Forbidden Entries &lt;/em&gt;(Black Sparrow, 1996)&lt;br /&gt;AT: &lt;a href="http://galatearesurrection2.blogspot.com/2006/05/forbidden-entries-by-john-yau.html"&gt;http://galatearesurrection2.blogspot.com/2006/05/&lt;br /&gt;forbidden-entries-by-john-yau.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728483899827269?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728483899827269'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728483899827269'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/chatelaine-reviews-other-poets-works.html' title='THE CHATELAINE REVIEWS OTHER POETS&apos; WORKS'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728590602771866</id><published>2008-03-17T17:12:00.000-07:00</published><updated>2008-01-28T23:18:41.568-08:00</updated><title type='text'>THE CHATELAINE INTERVIEWS OTHERS</title><content type='html'>&lt;em&gt;(Updated 1/18/06. Format to be publisher (in alphabetical order) and date, followed by title of interview and/or names of those interviewed.)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;E-X-C-H-A-N-G-E-V-A-L-U-E-S&lt;/em&gt;, Sept. 20, 2005.&lt;/strong&gt;  Interview of Paolo Javier and Barbara Jane Reyes.&lt;br /&gt;AT: &lt;a href="http://willtoexchange.blogspot.com/"&gt;http://willtoexchange.blogspot.com/&lt;/a&gt;&lt;br /&gt;and reprinted in &lt;em&gt;OurOwnVoice&lt;/em&gt;, December 2005&lt;br /&gt;AT: &lt;a href="http://www.oovrag.com/essays/essay2005e-4.shtml "&gt;http://www.oovrag.com/essays/essay2005e-4.shtml &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MaArte ka ba? #8 (2003):&lt;/em&gt;&lt;/strong&gt; "Babaylan (Interview with Nick Carbo)"&lt;br /&gt;AT: &lt;a href="http://www.maarte.org/articles/article.php?article=litBabaylan.html"&gt;http://www.maarte.org/articles/article.php?article=litBabaylan.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;MODERN AMERICAN POETRY&lt;/em&gt;, 1998:&lt;/strong&gt; "Excerpts from Sesshu Foster Interviews"&lt;br /&gt;AT: &lt;a href="http://www.english.uiuc.edu/maps/poets/a_f/foster/interviews.htm"&gt;http://www.english.uiuc.edu/maps/&lt;br /&gt;poets/a_f/foster/interviews.htm&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728590602771866?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728590602771866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728590602771866'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/chatelaine-interviews-others.html' title='THE CHATELAINE INTERVIEWS OTHERS'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-20991400.post-113728394916093148</id><published>2007-03-14T17:11:00.000-07:00</published><updated>2006-12-26T12:38:32.620-08:00</updated><title type='text'>BLOG INTRODUCTION</title><content type='html'>This blog will provide links to the Chatelaine's presence throughout the Internet ... where she's long loved to dance.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20991400-113728394916093148?l=chattydance.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728394916093148'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20991400/posts/default/113728394916093148'/><link rel='alternate' type='text/html' href='http://chattydance.blogspot.com/2007/03/blog-introduction.html' title='BLOG INTRODUCTION'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry></feed>
